　　周兴商灭时期，神都战神拓跋羽带回一个九霄灵狐，关押在府内。此后神都屡屡出现悬案，悬案中的死者均是神都极美的女子，神都城内人心惶惶。　　为了平息此事，战神悬赏千两查找与案子相关的线索，降魔师主动请缨。降魔师的出现让真相逐渐浮出水面，大家在降魔师的引导下将目光放在了战神带回的女子小九身上，并大胆质疑小九是妖，全神都为之震动。战神带回的女子虽是九霄灵狐，但因其所吸人灵不足只算得上半妖。神都女子之死表面都出自她手而实际上都与她无关。　　真凶其实是战神拓跋羽，九霄灵狐则是他最后一个猎杀对象，他杀四十九名美艳女子是为了集齐四十九个美艳女子的阴灵，然后与九霄灵狐的妖灵一同炼化使自己早日修成大成，不料最后被降魔师识破，战神无法继续隐藏，只能兔死狗烹与降魔师进行对抗，降魔师不敌败下阵来，眼看战神即将修成大成，降魔师携手九霄灵狐将拓跋羽治服。降魔师为使一方安宁，收走九霄灵狐一缕灵魄让别有用心之人无法借由九霄灵狐修害人之法术。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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