肉肉的小姐姐手感一定不错吧

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 时长半小时的短片。故事是发生在TV版中途的番外篇，突出两位女主角的位置，并附带“歌姬”设定……主题曲延用TV版前半部的OP（但收录进剧场版时被取消）。

　　It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.

 一九五四年十月一日，以法属阿尔及利亚首都阿尔及尔的卡斯巴为中心，爆发了阿尔及利亚人反抗运动，这是由于阿拉伯人憎恨法国人长期统治而引起的。人们四处搞破坏，法国政府发觉事态严重，便于一九五七年十月七日，派马丘将军率领四十万大军驻于斯拉姆地区。但是暴乱仍层出不穷，法国人的镇压行动开始升级。