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怪形
库尔特·拉塞尔,威尔福德·布利姆雷,TK·卡特,大卫·科列侬,凯斯·大卫,理查德·戴萨特,查尔斯·哈拉汉,Peter Maloney,理查德·马苏尔,唐纳德·莫法特,乔尔·波利斯,托马斯沃特斯,诺伯特·魏塞尔,拉瑞·弗兰科,纳特·欧文,阿德里安娜·巴比欧,约翰·卡朋特,杰德时速72
弗兰克·斯帕诺,乔治·阿克拉姆爱情鹤顶红
蔡德姮,陈卓半夜叫你别回头2
梅琼,赵翊骁,姜梦茹,沈璐,李世杰,陆烟,张莹莹,寒丰,严佳茵,武朋恶战2025
Alfredo Cleto Batista,Carl Bruchhäuser,Holger Ebert恐怖直播
河正宇,李璟荣,全慧珍,李大卫,金弘波,崔正贤,崔大勋,姜信哲,韩成天,孙成灿,金素辰,金大明,金海仁影视排行
失落的世界1960
迈克尔·伦尼,大卫·海迪生,Jill St. Hedison,克劳德·雷恩斯,费尔南多·拉马斯,理查德·海顿,Ray StricklynThe boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...
伟大的觉醒
John Paul Sneed,乔纳森·布莱尔,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
吸血夜惊魂
麦克·道尔,艾斯黛拉·沃伦,马西莫·多布罗维奇,乔纳森·斯卡奇,比利·布莱尔,玛丽安娜·宝拉·韦森特,Danny AghaTwo New Orleans detectives become embroiled in a centuries-long feud between two secretive factions of vampires while investigating a runaway child's case. Torn between their everyday lives and the dangerous lure of immortality, the detectives must race to destroy the evil Moldero clan.