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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
年轻的贡嘎和他的表弟巴特在一个废品场里意外发现了一个装满生锈十字架的手提箱。巴特灵机一动,决定将这些十字架改造成霓虹十字架,并逐户向第比利斯的居民推销。他们在城市郊区的漫游因此变成了一场寻找爱情与友情的冒险。
2001年阿根廷社会动荡的盛夏,布宜诺斯艾利斯郊区的三个少女闺蜜,都对发小迭戈暗藏情愫。迭戈与成熟女性西尔维娅相恋后,少女纳塔莉亚在祖母的帮助下,对二人施下黑魔法诅咒。失控的诅咒引发超自然灾难,将所有人拖入采石场湖的黑暗深渊,青春期的嫉妒与欲望,在南美社会的创伤背景下,演变成一场无法逆转的致命危机。
性格内向的律师梅尔·戴尔得知她爱冒险的妹妹突然去世后感到悲痛欲绝。但当她前往收集姐姐的尸体时,她很快就怀疑有人谋杀。她可能是下一个。