520约极品170空姐猛戳她的小嫩B_全程第一视角沉浸拍摄
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拦截火狐狸
Robert Sampson,Will Bledsoe,乔·托克尔It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
河童之子
本·麦肯锡,博亚娜·诺瓦科维奇,索耶·琼斯,马尔科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大卫·吉布森,Rebecca Nelson,詹姆斯·亚当·林,横田実优,大卫·莱文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里影片讲述了一位母亲和两个儿子在日本度假的故事。他们的小儿子差点淹死在湖里，事故发生后不久，父母意识到他们的儿子出了问题。
解决专家
黄才伦,邱意浓,林子聪,许诗晨,王瀚邦,王人可,文东俊,岳冬峰,刘奕心,阿蒂娅,刘海涵,解斯童“解决专家”衣然英俊遇到罗师傅上门求助，罗师傅因跌打油遭诬告，其妹双双、盈盈为帮兄私自参加高颜奖金选美。衣然英俊携老孙、罗师傅追至赛场，与罗妹及中国选手徐菲组队，闯丛林、破庙宇机关，最终揭穿比赛的阴谋，助罗师傅渡过难关。
校园鬼谈
อาไท กลมกิ๊ก-สุภทัต โอภาส,สุชาติ แคปเจอร์-สุชาติ จันทร์แก้ว每个学校都有很多故事，从新生入学到毕业，一届又过了一届，然而那些建筑和房屋仍然留在原地，有些人带着难忘的回忆离开，而那些回忆可能永远也不能忘记……
悲情枪手
周里京,何麟,高颖,潘婕,黄达亮,谈鹏飞,谭增卫,陈伟国故事发生在抗战时期的上海。天龙会首领肖洁荣（谈鹏飞 饰）委婉推辞日本陆军总部要其出任亲日同盟会长职务，隐退江湖。冷亦啸（周里京 饰）号称天龙会第一枪手，他抵制日本人的倒行逆施，暗中与肖洁荣的独生女肖岚（高颖 饰）相好。董浩然（何麟 饰）觊觎会长职位，又贪肖岚美色，他唆使肖洁荣把冷亦啸从天龙会中逐出。不久，肖岚委身董浩然，心灰意冷的冷亦啸在记者陈丽娜（潘婕 饰）推荐下，为他人做私人保镖。肖洁荣悔不该当初赶走冷亦啸，差肖岚相请遭拒。肖洁荣日后遭杀害，冷亦啸中伏击幸遇陈丽娜相救，他在激战中打死董浩然。在日本人为庆祝“螳螂计划”获得成功时，冷亦啸幽灵般出现......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.