草莓泡泡糖

英宫艳史

 故事开始于十六世纪初，因为皇后凯瑟琳（宾妮·巴尼斯 Binnie Barnes 饰）无法生育，英国国王亨利八世（查尔斯·劳顿 Charles Laughton 饰）同她离婚，另娶了名为恩尼（梅尔·奥勃朗 Merle Oberon 饰）的女子为皇后，哪知道野心勃勃的恩尼整天盘算着推翻丈夫的统治自立为王，当她的阴谋败露之后，亨利八世亲手将她送上了断头台。恩尼死后，亨利八世娶了奇恩（温迪·巴里 Wendy Barrie 饰）为妻，哪知道在生产时，奇恩因为难产而死，只留下了一个可怜的婴儿威尔斯（迈尔斯·曼德 Miles Mander 饰）。之后，大臣们想要国王迎娶德国公主，可这一次，国王驳回了大臣们的请求。

继女2024

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

灵殇

　　亚历斯和莎玛是一对年轻恋人，他们于前往波斯尼亚与赫塞哥维纳中心时车子抛锚在森林里，他们决定向附近的村庄求援。路上，巴尔干战乱的穆斯林幸存者莎玛，开始怀疑有神秘力量追高清在跟着他们，而自信、快乐的年轻欧洲人亚历斯，试图让莎玛甩开这些胡思乱想；但莎玛紧握着她的穆斯林护身符「哈麦利亚」不放，导致神秘力量从森林里逐渐浮现…

明明不是我！

影片改编自浅仓秋成创作的同名小说，讲述了一个在社交媒体上，毫无根据的信息被视为“真相”，并逐渐演变成重大事件的现代冤案恐怖故事。阿部宽饰演的主角是大型住宅建材公司的营业部长山县泰介，有一天突然在社交媒体上被指认为“杀人事件的凶手”，个人信息被曝光。虽然完全无辜，却被社会追捕、陷入“网络风暴”之中，不得不逃亡。

伊甸之枪

四名周末露营者被武装民兵追捕。