第一名模
影片《第一名模》深入揭示了时尚圈光鲜亮丽背后的阴暗面。故事围绕着几位渴望跻身顶尖行列的年轻模特展开。在通往“第一名模”宝座的道路上，她们不仅要面对高强度的专业竞争，更要应对来自摄影师、赞助商以及经纪人提出的各种“特殊要求”艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
在线播放
剧情简介
影片《第一名模》深入揭示了时尚圈光鲜亮丽背后的阴暗面。故事围绕着几位渴望跻身顶尖行列的年轻模特展开。在通往“第一名模”宝座的道路上，她们不仅要面对高强度的专业竞争，更要应对来自摄影师、赞助商以及经纪人提出的各种“特殊要求”艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
同类好片
东北恋哥3：冬天里的一把火
包贝尔,张梦露,乔杉,潘斌龙,韩彦博,韩云云,张呈无惧之爱
协塔朋·平朋,翁韦德·答奴翁,安苏玛琳·瑟拉帕萨默莎,卡维·丹扎拉岚,索姆查·肯格拉,เกียรติศักดิ์ อุดมนาค养鬼吃人8：地狱世界
兰斯·亨利克森,凯瑟琳·温妮克,克里斯托弗·贾科特,卡里·佩顿,亨利·卡维尔,维克多·麦奎尔,道格·布拉德利,Catalina Alexandru奇迹梦之队
凯莱布·麦克劳克林,加布里埃尔·尤尼恩,斯蒂芬·库里,妮可拉·考夫兰,尼克·克罗尔,大卫·哈伯,詹妮弗·路易斯,帕顿·奥斯瓦尔特,Jelly Roll,亚伦·皮埃尔,鲍比·李,安德鲁·桑提诺,雪莉·可拉,爱德华多·弗兰科,詹妮弗·哈德森,阿伊莎·库里暴风雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi Vernov凶间疑影
Teerapong Liaorakwong,Sinjai Plengpanich,Pongpit Preechaborisutkhun,Kanya Rattapetch,Chatsoroth Thanuthipayakul人气佳作
伪术奇才
彼得洛·卡斯特里图,朱莉娅·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,爱德华多·佩谢,克劳迪奥·桑塔玛利亚,奥罗拉·乔维纳佐,法比齐奥·费拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亚,Michael Schermi,Carlo Tozzi柔情挚我
薇姬·克里普斯,莫妮亚·乔柯里,维果·费雷拉-雷迪尔,安托万·赖纳茨,费奥多尔·阿特金,朴智敏,Manuel Vallade,奥拉利亚·佩蒂特,萨利夫·西塞,朱利安·德·圣·让,玛洛·赫比齐,安娜·西加勒维奇,Tallulah Cassavetti,安东尼·米切尔,乌姆尼亚·哈纳德毛骨悚然撞鬼经 25周年特别篇
稻垣吾郎,香取慎吾,森七菜,山内健司,坂口宪二,生见爱瑠,门胁麦,山口纱弥加,丰岛花,布施绘里留低你个死人头
William Baldwin,安琪拉·琼斯导演精选
柔似蜜
改编自Frank Shyong撰写的《洛杉矶时报》报道《一个垂死母亲的计划》(A Dying Mother’s Plan)。来自真实事件，被形容为“让人心碎的故事，聚焦理解心理疾病的多层面的重要性，尤其是亚裔社群中”，讲述在圣盖博谷，一个患上癌症绝症的母亲奋力想要帮助自己情绪不稳定的儿子——她发现儿子对大规模枪击案越发沉迷。
雨和闪电的气息
改編自著名推理作家南希．皮卡德於《紐約時報》的暢銷同名小說 過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.