梦魔
バスの運転手?中塚幸彦は、乗客の大友紀子に少年の頃の記憶にある牧野直美そっくりの面影を認め、思わず声をかけた。小学生の頃の幸彦が、メンソレータムの匂いと、胸の花びらのような小さなヤケドの痕と共に蘇る官能的な夢の中の女性、それが直美だった。一方紀子は、友人の佳代の夫?遠藤に脅迫された形ではあるがセックスし、それを佳代に知られ取り乱されても、愛情のないセックスだからと動揺の素振りさえない。そんな紀子もまた、幸彦という男の子にヤケドの痕にメンソレータムを塗ってもらう夢を見ると中塚に告白する。2人は夢の中で出会っていたのか。紀子は中塚をホテルに誘い、煙草の火で胸にヤケドを作るが、中塚はその場を逃げ出してしまう。妻や娘のいる今の家庭が崩壊するのを恐れたのではなく、夢の中で紀子の体を縛りつけ、苦悶の表情を楽しんでいる、それが現実になってしまう誘惑を恐れたかのよう..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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德古拉2025
阿多尼斯·坦察,Oana Maria Zaharia,加布里埃尔·斯帕休,Alexandra Harapu,Ana Dumitrascu,亚历山德鲁·达比加,Claudiu Dumitru,谢尔班·帕夫卢,Andrada Balea,伊林卡·马诺拉切,尼科丁·恩古里亚努,艾丽娜·塞尔班,Carina Lapusneanu,Marian Adochitei,Horea Avram,Alexandra Caras,Doru Catanescu,米海·科玛罗尤,Alexandru Georgescu,卡丽娜·齐致命围困
米莎·巴顿,黛博拉·卡拉·安格,卡梅隆·布莱特婚前脱单快乐
Katlego Lebogang,Siya Sepotokele Raymond盖世神功
林雪,钟一宪,张全蛋,林盛斌,金刚,罗家英,詹瑞文,陈启泰,刘亭希,林敏骢,李尚正,庄锶敏,郑恕峰,罗莽,郭政鸿,李昊祖正人君子2024
崔贞允,许伊在,安喜延,安世珉河鳗
潘纲大,柯泯薰,潘亲御,郑如吟,陈季霞,吴美和同类推荐
谁在战斗中闪耀
梅拉尼·罗兰,皮埃尔-伊夫·卡迪纳尔,安吉丽娜·沃雷斯,Sarah Pachoud,费利克斯·基赛勒,Juliette Gasquet,托马斯·乔里亚,Ilinka Lony,Lucas Cenciai,Najim Zeghoudi,马克桑斯·蒂阿尔,克莱尔·陈,安娜·卢瓦雷,比拉内·巴,斯特凡纳·瓦鲁彭,Serpentine Teyssier,Benjamin Lepennetier,Ludivine Colle,Pascal Decolland,Arnaud Straebler一家人面对13岁的贝尔蒂尔（Bertille）未确诊的病症时陷入挣扎。姐姐玛丽昂（Marion）在一段感情中找到慰藉。新的诊断改变了他们的未来，为贝尔蒂尔和她的家人带来了希望和继续前行的可能性。
午夜的太阳
郑知晓,车学沇该片翻拍自2006年上映的同名日本电影，讲述罹患罕见疾病——XP色素性干皮症的女主因为皮肤不能接受阳光照射，否则将出现生命危险。从此白天与之无缘，只能终日躲在家中，唯一的乐趣也只是趁着夜晚踱到车站广场唱着自己喜爱的歌。在这一过程中，女主渐渐喜欢上时常路过车站的冲浪男孩的爱情故事。
大明嫔妃之攻心
宋洋,何杜娟,关慧卿,陈一诺张清远死后兰心终日郁郁寡欢，太子误以为她还深爱张清远，嫉妒不已，故意亲近其她妃子来刺激和报复兰心。兰心本已对太子暗生情愫，见状却只能伤怀。 姚芊芊明白了四面楚歌的危险，为保腹中孩子，她四处笼络人心，颇见成效。 王恭妃查出了兰心和张清远的私情，盛怒之下将兰心打入冷宫。太子偷偷潜入冷宫和兰心相见，两人终于明白了对方的深情，情动之下有了一夜温存…… 后来，兰心被诊出怀有身孕，王恭妃却根本不相信这个孩子是太子的……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
杰克·莱恩：幽灵之战
约翰·卡拉辛斯基,西耶娜·米勒,哈立德·莱斯,Diarmuid de Faoite,迈克尔·凯利,温德尔·皮尔斯,约翰·约瑟夫·菲尔德,道格拉斯·霍奇,马克思·比斯雷,贝蒂·加布里埃尔,多米尼克·马夫海姆,鲍比·霍兰德·汉顿,比利·克莱门茨,詹姆斯·赖特,亚历克斯·布罗克多夫,汤姆·约翰逊,珍妮瓦·梅雷迪斯,Ikky Kabir,Rob Guglielmo,Adam Bernett杰克·莱恩因一次国际秘密任务意外揭露了一个致命的阴谋，被迫重返谍报世界。他与中情局的战友迈克·诺文柏、詹姆斯·格里尔以及干练的军情六处特工艾玛·马洛争分夺秒，共同对抗一支失控的黑衣行动部队，这场较量不仅危机四伏，更与他个人息息相关。