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拉内特·塔切尔,肖恩·尼尔森,精华阿特金斯修女2
泰莎·法米加,乔纳斯·布洛凯,斯托姆·瑞德,安娜·帕波维尔,邦妮·阿伦斯,凯特琳·罗斯·道尼,苏珊娜·伯蒂什,莱昂廷·翁西厄,阿努克·达尔文·霍梅伍德,彼得·哈德森,塔玛尔·巴鲁克,娜塔莉·萨福兰,马克西姆·伊莱亚斯-梅内特,帕斯卡·欧贝,亚历山德拉·詹蒂尔,弗洛伦斯·梅斯泰,玛歌·波莱尔,维维安娜·莫因,雷纳塔·帕尔米涅洛,富尔维娅·帕特里齐亚·奥利维埃里我的老婆是女优
Artur Ignatenko,莉莉娅·茨维利科娃,亚历山大·梅尔尼克开着我的房车去旅行
秦宇,李芷珺,姿娜,王坤炎东北警察故事3
谢苗,林晓杰,崔志佳,黄米依,伍允龙,马千壹,张磊,冯瑶,唐鉴军,田娃,吴莫愁在乐响舞动时
苏拉吉·潘乔里,Isabelle Kaif,Sammy Jonas Heaney人气佳作
我的邻居不是人
提拉达·迈特瓦拉育,Sarunrat Puagpipat,Bowkylion,Viyada Umarin,威绍特·汉莫拉,Vit Pacharapon Jantieng,Sasatorn Buain,Rujravi Jeeradechakul,Panisa Udomruangkiat,Katanyu Swangsri,Phunathat Wiwatphatthanaanan秘密会议
拉尔夫·费因斯,斯坦利·图齐,约翰·利思戈,卢西安·姆瑟马蒂,赛尔乔·卡斯特利托,伊莎贝拉·罗西里尼,布莱恩·F·奥博恩,卡洛斯·迪赫兹,梅拉布·尼尼泽,托马斯·洛伊布尔,亚采克·科曼,布鲁诺·诺维利,罗尼·克拉默,瓦莱里奥·达·席尔瓦,约瑟夫·迈德尔,文森佐·法伊拉,加里克·哈根,马达夫·夏尔马,洛里斯·洛迪,罗伯托·西特兰醉刀客
李炳渊,孙艺燃,赵靖舒玉,蓝曼予,来喜,龙武,闫青龙,喻庆辉,李长虹,刘杰,王艺围,郭宜林,姚红刚,彭秋生,冯玉玺,杨争,黄本冰,席瑞东,彭羿言,李瀚辰伪装大师1：维多女人
陈启杰,高雨儿,张炜迅,夏星,张惠程,杨静,闫锐导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
荣耀嘻哈
A deaf single dad's life with his daughter changes when she becomes a hip-hop star. Meanwhile, another father faces ongoing challenges communicating with his deaf son.
奉魔之名
正值青春期的少女艾玛（苏菲·瓦瓦希尔 Sophie Vavasseur 饰）因小事与父母发生争吵，继而用玻璃碎片割破自己的手掌。在此之后，父母子女的关系虽有所松动，但是新的危机已悄悄展开。艾玛是不是会做出些奇怪的举止，这令父母异常担心，于是只得将艾玛留在家中接受教育。期间他们尝试带女儿去看具有催眠本领的心理医生，谁知医生最终猝死艾玛的膝上。艾玛自感自己已被魔鬼附体，因此不顾崇尚科学的父母的反对，执意求助于因驱魔失败而被革除神职的舅舅基斯（道·布莱德利 Doug Bradley 饰）。 基斯似乎渐渐证实了艾玛的猜测，而她体内那股邪恶的力量也变得越来越强大……