3号出口
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
在线看
同款热播
竞时出击
王韬,魏小欢,江佳桐,李江瑶刑警沈佳明、吴艳和康业在破获一宗跨国重案后，卷入一系列离奇命案。首名死者孙成刚车祸身亡疑点重重，随后女子孔思思也遭遇不测。警方发现两名受害者均与医院器官捐献系统存在关联，而医院器官捐献协调员糜芳、医生马玉茹以及等待器官移植的罗永军兄妹皆被卷入漩涡。就在刑警们分头追凶时，第三名潜在受害者已危在旦夕。吴艳与时间赛跑，阻止了一场高空谋杀，却发现真凶竟藏于最意想不到的身边。
童煞惊魂岛
丹尼尔·希梅内斯·卡乔,艾邦·摩斯-巴克拉赫,凡妮莎·肖在一个舒适的季节，弗朗西斯科（艾邦·摩斯·贝克许 Ebon Moss-Bachrach 饰）和怀有身孕的妻子贝丝（凡妮莎·肖 Vinessa Shaw 饰）来到墨西哥某个海滨小镇度假。适值狂欢节期间，小镇四周歌舞升平，纸醉金迷，多少青年男女流连忘返。弗朗西斯科渴望寻觅一个安宁的所在，他找到当地的渔夫，从对方手中租下一艘船，打算在附近某个僻静的小岛安然度过五六天。次日，他和妻子抵达目的地。那里寂静无声，几乎看不到一个人影。岛上的孩子们偶尔逡巡四周，但无一例外脸上都挂着狰狞冷漠的表情。 未过多久，令他们毛骨悚然的事情接连发生。岛上的孩子手执凶器猎杀成人，期间更发出令人不寒而栗的笑声。孩童的杀戮仍在继续，弗朗西斯科夫妇能否逃离……
死因无可疑
黄秋生,林嘉欣,陈家乐,汤怡,廖启智,欧阳伟豪,欧锦棠,冯素波,邓建明,骏雄保险经纪人叶永信(陈家乐 饰)某天接到一通神秘来电，电话中的男子问自杀后多久可以拿到赔偿，随后他接到上司通知有客户指定他去跟进保单，叶上门拜访时亲眼目睹一个孩子吊死在屋中，他随即认定客户为诈取保险金而杀害儿子，决心暗中对朱重德(黄秋生 饰)和沈子玲(林嘉欣 饰)夫妇展开调查，恐吓随即接二连三发生在他及恋人文惠仪(汤怡 饰)身上，在又一起命案发生后，他愕然发觉事情和他的判断并不一样…
余下的就是沉默
马鲁斯·弗瑞尔·维扎德,奥维度·尼库勒斯库,米莱拉·泽塔,米哈伊·格鲁亚·桑杜,瓦伦丁·波佩斯库,尼库·米霍奇,西尔维乌·比瑞斯影片讲述一个导演，克服了各种困难拍摄一部讲述罗马尼亚独立战争大片的故事，值得一提的是，这部影片就是罗马尼亚1912年拍摄的第一部电影史诗——《独立战争》。《余下的就是沉默》尽管根据真人真事改编，但是男主角电影导演却是虚构的，他为了拍电影一方面要筹募资金，另一方面还要提防一家法国电影公司窃取他的创意。该片公映后好评如潮，一举囊括了2009年罗马尼亚GOPO电影奖最佳影片、最佳编剧、最佳女主角等九项大奖，被誉为罗马尼亚近二十年最出众的影片之一。
银河守门员
维多利亚·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃尔夫冈·塞尔尼,Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦莱丽娅·德米特里耶娃,Pavel Dorofeev,米克哈尔·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯维特兰娜·伊万诺娃,玛尔塔·蒂莫菲娃,尤里·库琴科,叶甫盖尼·米罗2071。银河战争摧毁了月球，改变了地球的气候。莫斯科是热带森林，纽约是一片冰。在莫斯科上空升起一艘巨大的外星飞船-这是一个体育场，在那里进行了星际太空游戏的表演，联合体育和角斗士的战斗。整个银河系都在看比赛。只有运动员才能玩太空。这就是人们所说的那些具有非凡能力并能够管理这些能力的人。宇宙崇拜的一切，除了安东，最普通的人，谁只是梦想找到一份工作来帮助家庭。但有一天，他发现自己的超能力，并接受加入国家队。现在他是一个宇宙飞船的球员。安东还不知道这场比赛的命运决定了他的角色，最后的比赛将是一场为土地而战。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.