人妻阳菜
有夫之妇的阳菜（麻生希饰），丈夫伸治（佐藤良洋饰）因为出车祸没钱赔偿伤者和还贷款而失去了工艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。阳菜只好自己一人撑起这个家。但是，这样的生活很快她就厌烦了，向丈夫提出离婚。绝望中，阳菜遇到了高中的恋人コウタ（白川勇饰）。阳菜便和コウタ在旅途中追寻真正的爱。
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热门影视 大家都在看
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Mackenzie Rosman,Dave Randolph-Mayhem Davis,Amy Brassette,Sloane Coe,金·柯林斯长白山猎人传说2
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简·方达,乔恩·沃伊特,布鲁斯·邓恩,佩内洛普·米尔福,罗伯特·卡拉丁,罗伯特·金蒂,凯瑟琳·米勒心碎往事
安东·叶利钦,罗宾·威廉姆斯,蒂娅·里欧妮,埃里卡·巴杜,大卫·杜楚尼,弗兰克·兰格拉,泽尔妲·威廉斯,玛吉丽·阿马蒂,奥加·索斯诺夫斯卡,奥兰多·琼斯,Bernie Sheredy,斯蒂芬·斯皮内拉,爱丽丝·德拉蒙德,哈罗德·卡蒂耶,马克·马戈利斯同类推荐
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罗比·阿梅尔,瑞切尔·泰勒,肖恩·本森,亚当·布切,坦图·卡丁诺,Gray Powell,Jacob Neayem,杰米斯皮尔切克未来世界能源枯竭，食物短缺。雷恩醒来，三名蒙面人将他和女友劫持，他奋力挣脱却从楼梯摔下。雷恩再次醒来，发现自己经历着同样的一天。他告诉女友汉娜，却发现汉娜和蒙面人是一伙的。雷恩才发现，他们都陷入了自己制造的ARQ能源机引发的时间循环中，而雷恩曾经效力过的Torus公司正要夺走这台机器。为了阻止Torus公司，雷恩和汉娜再次进入无限的循环...
宝岛2025
妻夫木聪,广濑铃,洼田正孝,永山瑛太,冢本晋也,中村苍,泷内公美,荣莉弥,尚玄,泷正则,木幡龙,奥野瑛太,村田秀亮,Derrick Dover在二战后尚未归还日本的冲绳岛上，有一群人自可怕的「铁暴风」中幸存下来。他们像动物般活在残破的世界，眼前是垂死的岛民和尸体。于是他们从美军的仓库和基地抢夺物资，延续这座岛上未完的战争，他们被叫做「战果捞客」。直到那一夜，阿恩（永山瑛太 饰）在嘉手纳基地的逃亡过程中神秘失踪，一场曾将故乡烧毁殆尽的铁暴风再度席卷这座岛屿而来。 「活下去，生还才是最大的战果。」多年之后，岛上女孩接连惨遭杀害，一名菜鸟琉球警察（妻夫木聪 饰）奉令侦办命案。追捕疑犯的过程中，在凶手车子里发现的人骨和一名神秘出现的男孩，让他儿时身为战果捞客的记忆与一道道未解谜团又重回脑海。
伪装大师1：维多女人
陈启杰,高雨儿,张炜迅,夏星,张惠程,杨静,闫锐关键一晚终于来临，黄渤扮演的黄总，邀请收藏爱好者来自己家参观，蔺先生如今也是其中一员，带着王森来了。蔺先生发现黄渤家里有三幅《维多女人》仿品，都是有一定年头的值钱货，但蔺先生从特定角度，发现了其中一幅画的标记，这是王森之前交他辨别真假的方法，王森也证明的确是真品。蔺先生发现这是真品后非常激动，要趁别人都没发现之前买下这幅画。黄渤看蔺先生这么感兴趣，开玩笑般开出天价，蔺先生立刻答应，并且要求当场成交。 成功了！派对上，黄渤把钱撒向空中，大家激动分钱，王森却不在。 王森突然接到电话，得知夏天竟然被陶硕绑架，陶硕威胁王森交回画，否则杀了夏天。王森一生中从未如此紧张失措过，他和黄渤立刻回去找蔺先生，没想到蔺先生像是变了一个人，精明地可怕，要王森拿出三倍的价买回《维多女人》，黄渤提醒王森夏天还有一个小时就要被杀，王森下定决心，用自己收藏的一屋子艺术品来换这幅画。 时间紧迫，王森让黄渤去家中拿艺术品，而自己先拿画去救夏天。王森回到绑架现场却一无所有，黄渤也联系不上了，只有他手上那幅画，这时他才发现，手上那幅画，上面有自己的签名，这是最初自己伪造的那副假画。 王森疯了一般，他回到家，空空荡荡，所有值钱的东西都被卷走 ……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
唐宫蜜史
胡高峰,陆雨萍,张辰驰胖女孩欲桓是一个胖胖圆圆能吃能玩的女孩,不同于别的胖女孩,她敢于面对生活,即使不受男生喜欢,也能玩的很嗨。有一天奇迹发生在了她的身上,她穿越回了唐朝，在这里她遇到了对她万分疼爱的寿王李瑁。欲桓在现代从来没有一个人跟他表白,在这里她第一次感受到了爱情的存在，于是成为了寿王妃,开元二十五年武惠妃逝世,寿王寿王妃二人前去拜见唐玄宗,唐玄宗悲痛欲绝,看到欲桓后感觉自己梦中女子出现在了自己眼前,眼神透出淡淡的爱意,心里想要的就是欲桓,可欲桓现在是自己儿子的妃子,该如何去争去夺,旁边的董贵妃把这一切看在眼里,一心想成为皇后的她会去怎么做,一场剧烈的夺桓之战正式拉开。