即刻观影
剧情赏析
编辑推荐
蒙特利尔，我的美人
陈冲,夏洛特·奥宾,埃米莉·科泰,John Xu,Pei Yao Xu,Anzhe Angelo Zhang53岁华裔移民凤霞（陈冲 饰）在加拿大蒙特利尔已经生活了大半辈子，人生被“妻子、母亲、移民”的身份牢牢捆绑：一段早已失去爱意的婚姻、需要照料的家庭、中西文化的夹缝，让她活成了别人期待的样子，也压抑了真实的自我。直到她遇见充满活力的年轻魁北克女孩卡米尔（夏洛特·奥宾 饰），一段意外的亲密关系唤醒了她埋藏多年的欲望与渴望。凤霞被迫直面内心的渴望，在家庭责任与自我解放、传统束缚与自由人生之间，做出艰难却决绝的选择，完成一场迟来的中年觉醒与自我救赎。
迷妄国度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·费南德斯故事背景设置在残酷的娱乐圈内，这个充斥着浮华、魅影、聚光灯的幕后。渐渐褪色的电影天后Shanaya求助于黑魔法来阻扰平步青云的影坛新星Sanjana，因为Sanjana已不择手段地篡夺了她曾经的位置。无情的Sanjana还利用她的爱人Aditya对付她，而Aditya当初和她在一起，只不过是把她当成一颗棋子助自己事业一臂之力。Aditya爱上了Sanjana并发誓会保护她，然而此时的Shanaya已成为一个疯狂的魔鬼，她誓要耗尽他们所有人的生命。
甜蜜与卑微
西恩·潘,萨曼莎·莫顿,Dan Moran,乌玛·瑟曼,Brian Markinson故事发生在20世纪的30年代，雷（西恩·潘 Sean Penn 饰）是当时红极一时的爵士乐传奇人物。由于早年生活困顿，成名后雷养成了挥金如土的恶习，压抑许久的他放纵自己迷失在由金钱和美女组成的奢侈世界里。 一位名叫海蒂（萨曼莎·莫顿 Samantha Morton 饰）的普通洗衣女工深深的爱上了雷，愿意为雷付出一切，而雷亦对单纯的海蒂抱有好感。可是，此时的雷并不想过早的走入安定的家庭生活，更何况，雷可是一位艺术家啊，对于艺术家来说，婚姻难道不正是灵感的坟墓吗？就这样，雷和海蒂渐行渐远。之后，雷娶了性感妖娆的作家布兰奇（乌玛·瑟曼 Uma Thurman 饰），却发现布兰奇是比自己还要放浪形骸的“交际花”。直到此时，雷才想起了海蒂的好，可是雷没有把握，这个单纯可爱的女孩如今还会一如既往的包容他，接纳他吗？
加里市
艾邦·摩斯-巴克拉赫,乔·博恩瑟,阿尤·艾德维利,莱昂内尔·博伊斯,艾比·艾略特,马蒂·马得胜,杰瑞米·艾伦·怀特,莉莎·科伦-扎亚斯,马琳·爱尔兰,吉莉安·雅各布斯,Nation Sage Henrikson,T.J. Jagodowski,Elisha Evans,Richard Gomez,Lisa Beasley设定在《熊家餐馆》故事之前，讲述Richie（艾邦·摩斯-巴克拉赫）和Mikey（乔·博恩瑟）一起去印第安纳州加里市出的一趟差。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
莎拉·米利根：大器晚成
莎拉·米利根莎拉·米利根讲述了她从尴尬青少年成长为自信喜剧演员的故事，用幽默的方式回忆了校园恶霸、公共淋浴间，还有她那些尴尬的私密经历。