趁人之危
法国情色女王布蕾雅（《蓝胡子》）的半自传，是她04年中风后的亲身经历，好看是伊莎贝雨蓓来演导演的化身，操控慾极强的她，在奋力复元身体和创作力的当儿，看到刚出狱的大骗子上电视，不知哪来的躁动，二话不说抓他来当新片主角。性别和权力的拉扯，演成一段难捨难离的关係，被动原来是主动，女导演一步步跌落自设的圈套里，欣然向骗子一次又一次无条件奉上支票。故事奇情，到了尾声布蕾雅仍有本事豁出去，被骗近百万欧元之后还有这个胸襟，令影片更神秘吸引。
剧情简介
法国情色女王布蕾雅（《蓝胡子》）的半自传，是她04年中风后的亲身经历，好看是伊莎贝雨蓓来演导演的化身，操控慾极强的她，在奋力复元身体和创作力的当儿，看到刚出狱的大骗子上电视，不知哪来的躁动，二话不说抓他来当新片主角。性别和权力的拉扯，演成一段难捨难离的关係，被动原来是主动，女导演一步步跌落自设的圈套里，欣然向骗子一次又一次无条件奉上支票。故事奇情，到了尾声布蕾雅仍有本事豁出去，被骗近百万欧元之后还有这个胸襟，令影片更神秘吸引。
为你推荐
遇见不同的遇见
高晓攀,李萌萌,李明,龚玥菲,刘德强,赵晋,张暘,郭京波,赵铭,王雪纯,金道鑫鑫,于时弈,刘乐铭都市“躺平青年”但爽，带领“突如其来”电视栏目组，突袭暗访专业从事借钱为生的老乡“滚刀肉”吴德，在吴德的引领下，但爽有缘结识了有财、有貌的“超级卷王”是蒂，未曾想这对欢喜冤家的爱情之路总是遇见不同的遇见，在经历了英雄救美、海景房骗局、P2P理财“深坑”的一系列惊心动魄的故事下，最终花好月圆走在了一起。
北区侦缉队
吉尔·勒卢什,卡里姆·莱克路,弗朗索瓦·西维尔,阿黛尔·艾克萨勒霍布洛斯,肯扎·福特斯,Cyril Lecomte,迈克尔·阿比特波,伊迪尔·阿祖格利,Vincent Darmuzey,让-伊夫·贝特鲁,Kaïs Amsis,富埃·纳布拉,Abdellah Khoulalene,Haïdy Khalil,Adel Boutouil,安娜伊斯·法布尔,吉尔伯特·特拉尼亚,安东尼萨桑·杰苏萨桑2012年，马赛北部地区是全法国犯罪率最高的地区。在上级领导的压力下，BAC Nord警队不断改进工作方式。在高风险地区，警察选择改变工作手段，有时甚至会越过界限。直到有一天，法律形势开始对他们变得不利……
新凯旋门
克拉斯·邦,西瑟·巴比特·科努德森,泽维尔·多兰,斯万·阿劳德,米歇尔·富,米沙·莱斯科特,让·迪·弗埃,伊拉莉亚·卡布拉斯,亚历山德罗·布雷萨内罗,塞德里克·阿皮耶托,维比约克·莫林·阿格尔,弗朗索瓦·雷森,奥利弗·马奎特,帕特里克·索贝尔曼,阿克尔·博萨,Jiang Hong Chen,纪尧姆·福雷斯蒂,塞西尔·杜克罗克,奥利维尔·加利安诺,本雅明·克莱里1982年，法国总统弗朗索瓦·密特朗决定为其任期的旗舰项目——拉德芳斯大拱门发起一场国际建筑竞赛，该项目与卢浮宫和凯旋门对齐。出乎所有人意料，一位在法国鲜为人知的 53 岁丹麦建筑师约翰·奥托·冯·斯普雷克尔森赢得了竞赛。这位建筑师打算完全按照自己的设想建造大拱门，但他的理念很快与实际限制和政治变幻莫测相冲突。这部电影以真实事件为灵感，讲述了这位理想主义的丹麦建筑师如何努力在政治博弈、官僚主义和艺术自由的限制下实现其宏伟愿景的故事。
龙林逃生
陈升卫,林千雯,鬼哥,龙娜,薛琼,李信庆《龙林逃生》讲述了陈义天、吴勇、梁丽娜、王燕玉等人坐着冒险之旅客运车前去原始森林历险旅游，途中车子出现故障遇到红火蚁、恐龙和被恐龙袭击的虎哥等人，大家互相关心、互相帮忙，最终安全地逃出了奇妙的原始森林。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
复仇之溪
多米尼克·珀塞尔,亨利·卡维尔,迈克尔·法斯宾德,Emma Booth20世纪30年代，战争的幽灵盘桓世界上空。纳粹相信妖术可以帮助他们迈向胜利，于是派出手下四处寻找便捷的“治世良方”。1936年，在美国西弗吉尼亚的一个偏僻乡村复仇溪，诚实善良的沃尔纳一家迎来一名不速之客。隶属于北美地区德国遗产学术委员会的理查德·沃斯博士（Michael Fassbender 饰）来到这里，借住在沃尔纳家。一家人虽然心有惴惴，不过看在钱的份上欣然接纳沃斯博士，并对其表现出诚挚的热情，却不曾想对方带来了难以置信的灾难。 2007年，警察伊万·马歇尔（Henry Cavill 饰）生活正陷入困境。他的哥哥维克多（Dominic Purcell 饰）一度消失。当他以为兄长已死时，维克多却突然出现，带着弟弟来到复仇溪。维克多究竟经历了怎样的磨难？这与30年代沃尔纳一家的遭遇又有什么关联？
悲情枪手
周里京,何麟,高颖,潘婕,黄达亮,谈鹏飞,谭增卫,陈伟国故事发生在抗战时期的上海。天龙会首领肖洁荣（谈鹏飞 饰）委婉推辞日本陆军总部要其出任亲日同盟会长职务，隐退江湖。冷亦啸（周里京 饰）号称天龙会第一枪手，他抵制日本人的倒行逆施，暗中与肖洁荣的独生女肖岚（高颖 饰）相好。董浩然（何麟 饰）觊觎会长职位，又贪肖岚美色，他唆使肖洁荣把冷亦啸从天龙会中逐出。不久，肖岚委身董浩然，心灰意冷的冷亦啸在记者陈丽娜（潘婕 饰）推荐下，为他人做私人保镖。肖洁荣悔不该当初赶走冷亦啸，差肖岚相请遭拒。肖洁荣日后遭杀害，冷亦啸中伏击幸遇陈丽娜相救，他在激战中打死董浩然。在日本人为庆祝“螳螂计划”获得成功时，冷亦啸幽灵般出现......