锁孔报告

评分:8.6 播放:75万 更新:2026-05-23
主演: Puppa Armbruster 

德文原名Schluuml;sselloch-Report直译就是锁匙孔报告的意思,顾名思义就是一些人透过钥匙孔偷窥别人ML,类似德国著名的女生报告系列的典型性喜剧,诙谐幽默、美女如云~~

剧情简介

德文原名Schluuml;sselloch-Report直译就是锁匙孔报告的意思,顾名思义就是一些人透过钥匙孔偷窥别人ML,类似德国著名的女生报告系列的典型性喜剧,诙谐幽默、美女如云~~

为你推荐

甜蜜恰好也三十

赵文琪,杨悦心,陈德容,钟骏胜,黄柏钧,纪宇电

  金领孟夏貌美强悍,精明神勇,却因未婚夫出轨而崩溃;SPA技师汤玲柔弱呆萌,娇甜黏人,一再对吃软饭的男友无力自拔。一场葬礼让两个被同一个男人伤害的隐秘情敌变成了磕磕绊绊的塑料花,日常斗嘴吐槽,情谊却不断升级。年轻阳光摄影师金哲的出现撩拨得二女春心萌动,同时陷入疯狂的境地。几番争斗下来,男神岿然无动。两女身心俱疲,感受到作为女人的无奈与悲凉,同时从这段荒唐的雌竞中幡然醒悟,对爱情和女性的尊严、价值生发出全新的体悟。金哲究竟情嘱何方?两个大龄女最终爱归何处?假闺蜜如何炼就真友谊?

承诺2017

楠迪·宗拉维蒙,安比查雅·松可寒,图恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里库苏拉康,Duentem Salitul,本杰明·约瑟夫·瓦尼,素查达·彭帕塔娜苏,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri

  1997年,亚洲金融危机如同暴风雨一般席卷各国,公司倒闭已成寻常,老板富贾逃亡自杀,普通民众的生活愈加困苦。富家女孩布姆(Thunyaphat Pattarateerachaicharoen 饰)父亲所盖的大楼最终烂尾,遭到父亲家暴后,万念俱灰的布姆和伊布(Panisara Rikulsurakan 饰)相约自杀。阴差阳错,贝尔去往另一个世界,布姆则苟活人间。  时光流转,20年后的布姆(楠迪·宗拉维蒙 Namthip Jongrachatawiboon 饰)已成为小有名气的房地产企业家。某天,她带着女儿贝尔(安比查雅•松可寒 Apichaya Thongkham 饰)再次来到当年和朋友自杀的烂尾楼。顽皮的贝尔四处游荡,捡到了母亲当初和伊布沟通的BP机。殊不知,一个孤独的灵魂已在此等候多年,只为了践行未完的承诺……

东北警察故事3

谢苗,林晓杰,崔志佳,黄米依,伍允龙,马千壹,张磊,冯瑶,唐鉴军,田娃,吴莫愁

李红旗要办婚礼了!本想婚礼一切从简,但彪悍热心的丈母娘(林晓杰 饰)坚持做主想大操大办,李红旗不得不飞往海角,落地后却得知飞机邻座女孩昕昕(马千壹 饰)被人贩子拐走。面对凶残狡猾的犯罪团伙,李红旗与当地办案风格迥异的警察孙彪(崔志佳 饰)强强联手,在婚期逼近的倒计时中和人贩子头目秦叶蓉(黄米依 饰)及卖鱼佬(伍允龙 饰)展开殊死搏斗。婚礼筹备笑料百出,办案追凶惊心动魄——红旗不倒,正义不休假!看李红旗如何罪犯、幸福两手抓。

超渡

王欣,陈立谦,张嘉殷,李子昭

  没有任何人气的鬼怪小说作家严冬自命不凡,虽然专写灵异题材,但是却从不相信世上有鬼。他的经纪人兼好友包劲希望他能尽快写出真正恐怖且吸引人的作品,为此和他打赌世上到底有没有鬼。两人来到乡下,在专门为他人做法事的三姐的庵堂住了下来。三姐的徒弟们活泼三八,独有沉默的阿乐不与众人为伍。阿乐自幼拥有天眼,能够看到另一个世界的众生,为了不惹麻烦上身而小心回避他们。另一方面,严冬在包劲和女孩们的帮助下终于见到了鬼,却险些吓破胆,关键时刻多亏阿乐相救。  自此之后他们越来越熟,而见鬼的日子也越来越多,盘桓在人间的众生希望借助他们得到超度……

密探2025

瓦格纳·马拉,乌多·基尔,加布里埃尔·利昂纳,马丽娅·费尔南达·康基多,艾米拉·盖德斯,爱丽丝·卡瓦略,托马斯·阿基诺,伊萨贝尔·祖拉,苏茜·洛佩斯,若昂·维托尔·席尔瓦,罗尼·韦列拉,鲁本斯·桑托斯,卢西亚诺·基罗利,布达·里拉,吉米·阿斯特利,罗贝里奥·迪奥热内斯,伊戈尔·德·阿劳若,塔尼娅·玛丽亚,劳拉·卢费西,吉安妮·阿尔布开克

  1977年,在被军事独裁统治折磨的巴西,四十多岁的马塞洛逃离了他混乱的过去,来到累西腓,希望在这里建立新的生活并与家人重修旧好。然而,他并未料到死亡威胁如影随形,笼罩在他的头顶。

午夜的太阳

郑知晓,车学沇

该片翻拍自2006年上映的同名日本电影,讲述罹患罕见疾病——XP色素性干皮症的女主因为皮肤不能接受阳光照射,否则将出现生命危险。从此白天与之无缘,只能终日躲在家中,唯一的乐趣也只是趁着夜晚踱到车站广场唱着自己喜爱的歌。在这一过程中,女主渐渐喜欢上时常路过车站的冲浪男孩的爱情故事。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.