刚20岁的学生
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箱男
永濑正敏,浅野忠信,佐藤浩市,白本彩奈,涩川清彦,中村优子,川濑阳太这部1973年的小说由安部公房创作，讲述了一位无名男子放弃自己的身份，头顶一个大纸箱生活的故事。在东京街头游荡时，他遇到了各种各样的人物。
盖世神功
林雪,钟一宪,张全蛋,林盛斌,金刚,罗家英,詹瑞文,陈启泰,刘亭希,林敏骢,李尚正,庄锶敏,郑恕峰,罗莽,郭政鸿,李昊祖70年代，洪英真出⽣在H国华⼈街的武林世家“洪刀门”，因成⻓过程⼀事⽆成被众⼈戏称为“废柴”。 ⼀次机会，洪英真偶遇⽼同学包掂并认识了“忠孝堂”豹哥，卷⼊⼀场阴谋当中。⽽武林⾼⼿“⽆尘”⼀早看穿洪英真是潜在练武奇才，于是打通其筋脉。 洪英真迫听⽆尘的建议躲到和平村。在和平村⾥，洪英真阴差阳错惹上恶霸林⼤爷。万万没想到林⼤爷的⼉⼦竟然是豹哥，于是洪英真与豹哥的恩怨⼜再次拉开……
寻找身体2
桥本环奈,真荣田乡敦,樱井海音,安齐星来,铃木福,本田真凛,吉田明彦森崎明日香在破解校园诅咒后消失，三年后，新一批高中生被困在深夜游乐园，陷入 “被红衣人杀死就重复同一天” 的循环。而追杀他们的红衣人，正是被诅咒吞噬的明日香。众人一边求生，一边试图解开诅咒、拯救变回怪物的她。
最小的女儿
纳迪亚·梅利蒂,朴智敏,阿米娜·本·莫哈迈德,梅丽莎·古尔斯,丽塔·邦曼纳纳,Razzak Ridha,路易·梅米,Waniss Chaouki,阿诺亚·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·谢夫曼,Gabriel Elkaïm,Vincent Pasdermadjian,Victorien Bonnet出身穆斯林家庭的少女法蒂玛，即将前往巴黎读大学。站在人生岔路口，她面临性向与信仰的缠斗。对女体难以启齿的贪恋，化为交友软件上无数个假名与忘我缠绵的幽会。随着晨祷掺入杂念，法蒂玛遇见命定的那个她，在亲密关系里感受爱与伤，却依旧迷茫。四季递嬗间，那些扪心自问的日与夜，会将法蒂玛带往何方？
三十一
伊丽莎白·戴利,雪莉·穆恩·赞比,丹尼尔·洛巴克,劳伦斯·希尔顿-雅各布斯万圣节前一天，五名狂欢节员工被绑架挟持到一个称为“肃杀世界”的孤立院子。在万圣节时，他们会被扔进一个名叫“31”的虐待狂的游戏中，他们将面对一群穿得像小丑一样的疯子。然而，小丑并不是唯一需要担心的，一个更宏大的邪教仪式和更残酷的阴谋将被唤醒......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.