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罪生咒
与丈夫离婚后，Alice必须承担起单亲母亲的全部责任，照顾她全心全意爱着的儿子August，一个好奇的小男孩。他从小就对A、他的父亲和他自己的故事充满疑问。就连他的母亲也从未谈起过他的父亲，August15岁那年，神秘的故事开始一点一点地跟随他。他父亲生前的嘱托成为August从诺拉舞的秘密中发现恐怖的原因。在试图让他认识到自己的业力同时，Alice相信理性和正义。Alice竭尽全力拯救她所爱的儿子。但她越是反抗并带领August远离现实，诡异和奇怪的事件不断升级，直到August陷入危险。决定返回寻找过去的真相。August生命危在旦夕，当Lambam家的门打开时，里面的木桩从过去一直建到了现在，与她一起打开的是Lambam家的老管理员Cherd叔叔，他知道整个故事。业力和所欠的誓言已经开始要求偿还
呕吐戈尔2：祭祀
《祭祀》是2008年在美国上映的一部恐怖电影，由路西尔.维纶泰恩执导，路西尔.维纶泰恩领衔主演。 《祭祀》展示了涅槃般乐队的柯特·科本以及患有贪食症的歌手安吉拉·阿伯丁自杀的疯狂景象。受到恶魔般的同胞的感官精神的影响，安吉拉痛苦的自残终于遭遇脑死亡。这是导演lucifervalentine的第二部作品
撒冷镇2024
刘易斯·普尔曼,威廉·桑德勒,皮鲁·埃斯贝克,麦肯兹·利,比尔·坎普,阿尔法·伍达德,斯宾塞·崔特·克拉克,约翰·本杰明·西基,尼古拉斯·克罗维蒂,Debra Christofferson,凯德·伍德沃德,瑞贝卡·吉贝尔,凯兰·吕德,塞拉·希乌尔曼,Jordan Preston Carter,迈克·巴什,Danielle Perry,Carly Silverman,加文·马多克斯·伯格曼,Fedna Jacquet作家本·米尔斯回到他儿时的故乡——撒冷镇，为他的下一本书寻找灵感，却发现他的家乡正被一个嗜血的吸血鬼掠夺。
最优路径
2087年，AI公司瀚海用“最优路径”接管人类社会，任何不服从的人都会被系统抹除。执法者林墨终于抓回叛逃的女儿林跃，以为能用“意识同步”救她一命，却在亲手把她送上手术台后发现：老板要的从来不是拯救，而是把她改造成终极兵器。
纽伦堡的审判
斯宾塞·屈塞,伯特·兰卡斯特,理查德·威德马克,玛琳·黛德丽,马克西米连·谢尔,朱迪·加兰,蒙哥马利·克利夫特,维尔纳·克伦佩雷尔讲述二战后在纽伦堡提审德国纳粹计划的法律关系者，三个被告提审的原因是给犹太人施行断种手术。担任主审判长的是美国人赫鲁特，他主张其中两个被告无罪；而德国司法部长亚林克竟对此事保持沉默，但检查官罗森上校却激烈的指责被告，因此三个人展开激烈的辩论。审讯继续进行下去。而美国的高级官员们希望能在审判中获提德国所犯罪行的良好证明，因此对审判施以极大的压力，但赫鲁特坚守法律的正义立场，给予了最公正的判决。在宣布判决结果时，只有亚林对赫鲁特审判长的态度表示赞赏。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.