婚歧

大卫2025

从他母亲的歌声到他与歌利亚的冲突，大卫从卑微的牧羊人到受膏的国王的旅程考验了信仰、勇气和爱的极限，最终在一场争夺王国灵魂的战斗中达到高潮。

蜱虫叮咬的真实之美

经历了一件令人不安的事后，伊冯娜驱车前往朋友卡米尔位于田园诗般的新家，想在那里待一段时间。卡米尔的两个新朋友A.J.和艾萨克热情地接待了她，他们或许也住在那里。大家约定周末一起享用用当地新鲜食材烹制的家常菜，并在烛光下玩一些室内游戏。然而，当伊冯娜被蜱虫叮咬后出现令人不安的症状时，这片宁静的乡村天堂瞬间消失，取而代之的是滋生令人不安的新生命的温床。

爆水管

一个东南亚小镇中，卷王警察于大海（彭于晏 饰）起早贪黑，努力工作，让小镇连续7年维持0犯罪率。结果因为没有案子，警察将被全员辞退，“铁饭碗”成了“塑料碗”，为保住工作，于大海决定和队友们一起造个大案。与此同时，真正的大案正在发生，前来投奔罗四季（艾伦 饰）的盗墓贼罗浩（周游 饰）、牛大轮（闫佩伦 饰）一家人，盯上了传说中藏有宝藏的古墓，而这个古墓就在警局之下......

格吉（杀人鬼）

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

留校联盟

 预科学校巴顿学院的老师保罗（保罗·吉亚玛提 饰）不太受欢迎，不管是学生、老师还是校长，都不太喜欢他，他们觉得他浮夸又僵化。在1970年的圣诞假期，保罗留在了学校监督无法回家的学生。几天后，只有一个学生留了下来——一个名叫安格斯的15岁捣蛋鬼，他是一个被不良行为破坏的好学生，总是在被开除的边缘试探。与保罗和安格斯一起留下的还有学校厨师长玛丽，一个为特权阶层的儿子们提供服务的非裔美国妇女，她自己的儿子最近在越南失踪了。这三个截然不同的失意者组成了一个奇怪的圣诞家庭，在新英格兰大雪纷飞的两个星期里，分享着不幸经历，并意识到他们中没有人感谢自己的过去。