喜爱夜蒲4
《喜爱夜蒲》以都市年轻男女情色为题材，电影中大量出现超正美女在夜店被男演员摸胸，摸大腿，脱衣的诱惑画面，还有在各种场合ML的片段，包括车内，夜总会洗手间，床上等，其尺度比起《肉蒲团》是有过之而无不及海外影院
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第27天生死劫
吉恩·巴瑞,Valerie French,乔治·沃斯科维奇,阿诺德·莫斯,Stefan Schnabel,拉尔夫克兰顿,Friedrich von Ledebur,保罗·伯奇一秒2026
郭晓婷,周国宾,党伟,邓钢暗夜良人
何乙轩,李运佳,周舟,黄娟,杨坤锐,李延,王渊,王正佳,刘锦,李一明,张依珂,季李,田雨,周小鹏,许之糯,吕一丁,张京海,徐福来,常征,孔庆三,边防,杜伯,苏强,王俊潾,高果,孙博,刘建军,梅景洪,李少林,高玉林,张业福,苏佳男,杨瑞承,吴梓铭,田甲右,刘欣刚,岳阳悬案密码3：信仰的阴谋
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕尔·斯维尔·哈根,雅各布·豪伯格·罗曼,阿曼达·科林,约翰·路易斯·施密特,雅各布·奥福特布罗,索伦·比尔马克,迈克尔·布罗斯楚普,莫滕·基尔斯果,洛特·安德森黎明杀祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,卢卡什·什切帕诺夫斯基,巴特罗米耶·托帕,Paulina Zwierz魔力，魔力
艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦同类推荐
我爸救了圣诞节2
圣地亚哥·塞古拉,埃内斯托·塞维利亚,Pablo Chiapella一家玩具公司的狡猾主管绑架了圣诞老人，这对父子必须挺身而出，营救圣诞老人，拯救圣诞节。
忌怪岛
西畑大吾,山本美月,生驹里奈,当真亚美,平冈祐太,水石亚飞梦,川添野爱,祷云母,大谷凜香,笹野高史,伊藤步,滩仪武本片将聚焦如今颇受关注的“元宇宙世界”。VR研究小组成员一个个因为不明的原因死亡，孤岛上“红色女”的咒怨被解禁，惨剧拉开序幕。
逃离地下天堂
麦克尔·约克,理查德·乔丹,珍妮·艾加特,罗斯科·李·布朗尼,费拉·福赛特,小迈克尔·安德森,彼得·乌斯蒂诺夫,Randolph Roberts,Lara Lindsay,Gary Morgan,劳拉·海佩西元2274年人类居住在由电脑控制的城市中，在这个城市中无优无虑，可自由毫无拘束的追求享乐；但到30岁时每一个人必须接受考验，一个探究永恒、重生的试炼……
独自赴死
凯瑞-安·莫斯,道格拉斯·史密斯,弗兰克·格里罗Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster