白日梦

7.3 播放:60万 更新:2026-05-28
主演: 武智铁二/

  某日,英俊帅气的青年仓桥顺吉(勝然武美饰)和身穿和服、恬静贤淑的叶室千枝子(愛染恭子饰)在牙科医院邂ddd。顺吉为对方的气质所吸引,久久注视,几近忘我。少顷,两人先后走进诊室,经过麻醉后,他们的意识渐渐模糊,继而仿佛进入一个光怪陆离、充满肉欲的奇幻世界。顺吉梦到自己来到一间舞厅,而千枝子是正在台上翩翩起舞的舞女。衣冠楚楚的牙科医生(佐藤慶饰)此时化身邪恶、变态的老板,对千枝子进行肆意虐待与凌辱。顺吉想尽办法,希望带千枝子离开这里。然而眼前的一切亦真亦幻,真伪难辨,仿佛一场痛入骨髓的恶梦一般……  根据日本官能作家谷崎润一郎的同名小说改编,本片系导演武智铁二第二次将该小说搬上银幕,据上一部间隔17年之久。

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详细简介

  某日,英俊帅气的青年仓桥顺吉(勝然武美饰)和身穿和服、恬静贤淑的叶室千枝子(愛染恭子饰)在牙科医院邂ddd。顺吉为对方的气质所吸引,久久注视,几近忘我。少顷,两人先后走进诊室,经过麻醉后,他们的意识渐渐模糊,继而仿佛进入一个光怪陆离、充满肉欲的奇幻世界。顺吉梦到自己来到一间舞厅,而千枝子是正在台上翩翩起舞的舞女。衣冠楚楚的牙科医生(佐藤慶饰)此时化身邪恶、变态的老板,对千枝子进行肆意虐待与凌辱。顺吉想尽办法,希望带千枝子离开这里。然而眼前的一切亦真亦幻,真伪难辨,仿佛一场痛入骨髓的恶梦一般……  根据日本官能作家谷崎润一郎的同名小说改编,本片系导演武智铁二第二次将该小说搬上银幕,据上一部间隔17年之久。

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秘密关系:最后的约束

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全职

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约束的罪行

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等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.