不溶性侵犯
日本东北部某偏远城ccc。时光回溯5年之前，时为高中生的少女山崎千寻（井上晴美饰）在雪夜回家的途中遭到三个同乡的强暴，这件事给她的身心造成巨大的创伤。毕业后，千寻来到东京工作，成为一家大公司的白领，并和同事野上（松冈俊介饰）谈婚论嫁。随着幸福的到来，5年前的悲痛过去被渐渐淡忘。 然而，当年的噩梦竟卷土重来。某日，三人组之一的广河（北村一辉饰）突然造访，他告知千寻，为庆祝主犯马场（竹中直人饰）出狱，他们三人将聚首千寻的住处，举行4P庆祝大会。惶恐的千寻无法赶走无赖成性的广河，甚至遭到粗暴对待。愤怒之下，她对这眼前的恶棍痛下杀手，随即将尸体藏在冰柜中。不久，三人组的小岛（鹤见辰吾饰）和马场相继到来……
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剧情简介
日本东北部某偏远城ccc。时光回溯5年之前，时为高中生的少女山崎千寻（井上晴美饰）在雪夜回家的途中遭到三个同乡的强暴，这件事给她的身心造成巨大的创伤。毕业后，千寻来到东京工作，成为一家大公司的白领，并和同事野上（松冈俊介饰）谈婚论嫁。随着幸福的到来，5年前的悲痛过去被渐渐淡忘。 然而，当年的噩梦竟卷土重来。某日，三人组之一的广河（北村一辉饰）突然造访，他告知千寻，为庆祝主犯马场（竹中直人饰）出狱，他们三人将聚首千寻的住处，举行4P庆祝大会。惶恐的千寻无法赶走无赖成性的广河，甚至遭到粗暴对待。愤怒之下，她对这眼前的恶棍痛下杀手，随即将尸体藏在冰柜中。不久，三人组的小岛（鹤见辰吾饰）和马场相继到来……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.