妹之荒情色
哥哥敦史和妹妹尚美住在同一屋檐下，尚美一直喜欢敦史，爱在心里却又难于启齿，她对敦史的思念情绪只能发泄于虚拟的电脑世界。同时，尚美的同学对尚美展开了强烈追求…但尚美始终无法忘掉敦史，最后她毅然选择出走美国治疗情伤…第二话：久美子的哥哥达也刚从外地归来，寄居在久美子的家。首次与长大后的达也一起生活，早已心系达也的久美子再也按捺不住对哥哥的思念和内心的激情。某天，达也从久美子的网志知悉妹妹暗恋自己的事…他决定孤注一掷，把自己的秘密告知久美子，情况变得一发不可收拾…
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剧情提要
哥哥敦史和妹妹尚美住在同一屋檐下，尚美一直喜欢敦史，爱在心里却又难于启齿，她对敦史的思念情绪只能发泄于虚拟的电脑世界。同时，尚美的同学对尚美展开了强烈追求…但尚美始终无法忘掉敦史，最后她毅然选择出走美国治疗情伤…第二话：久美子的哥哥达也刚从外地归来，寄居在久美子的家。首次与长大后的达也一起生活，早已心系达也的久美子再也按捺不住对哥哥的思念和内心的激情。某天，达也从久美子的网志知悉妹妹暗恋自己的事…他决定孤注一掷，把自己的秘密告知久美子，情况变得一发不可收拾…
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.