嫂子的想象成为现实

⭐ 5.5 播放:35万 2026-05-27
主演: 朴大愈/

“看着每天都为要孩子而努力的小哥哥夫妇,觉得小哥哥很可怜的小舅子。在父亲的祭祀结束后,偶然看到了小哥哥的裸体。小嫂子一边喊着小舅子,一边自慰。小嫂子对小舅子比平时随便对待自己的丈夫更体贴,小舅子知道后慌忙离开了。小哥哥被没有孩子的妻子所困惑,遇到了其他的爱人,听到爱人怀孕的消息而高兴。...."

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剧情提要

“看着每天都为要孩子而努力的小哥哥夫妇,觉得小哥哥很可怜的小舅子。在父亲的祭祀结束后,偶然看到了小哥哥的裸体。小嫂子一边喊着小舅子,一边自慰。小嫂子对小舅子比平时随便对待自己的丈夫更体贴,小舅子知道后慌忙离开了。小哥哥被没有孩子的妻子所困惑,遇到了其他的爱人,听到爱人怀孕的消息而高兴。...."

幕后花絮

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

无限密室

  弗兰克被关在密室里,只有一台人工智能计算机负责维持生命,但无论怎样密室逃脱,只是回到另一个嵌套,随着时间发展,出现了新的情况。