JK与女同夫人万丈的悦乐绘卷
千夏是個高中生美少女, 因父母結婚20週年去歐洲旅行, 而將千夏寄宿在插花老師美里家中. 千夏剛到美里家中夜晚, 窺見美里入浴及其夫妻激情作愛, 性渴難耐....第二天, 美里丈夫是演藝部部長, 恰巧需到外地旅遊, 屋內只剩千夏和美里, 千夏有興趣學習插花, 打算在2週中, 好好研究插花技巧. 在生活對美里時常顯出性慾需求行為, 起先被較保守的美里拒絕, 但不知不覺中, 美里逐漸接受千夏的挑逗, 尤其在孤寂時, 激起同性戀情火花, 共同入浴, 撫慰淫樂. 甚至將震動器塞進內褲, 走上人群街道上, 遙控強烈震動, 得到從未有的更新奇的高潮刺激. 于是假陽具和按摩棒, 成為她倆不可脫離的歡淫利器. 丈夫返家後, 千夏藉口就學較近, 並得父母同意, 繼續住在美里家中, 嘴臉不時浮現滿足歡愉的神秘微笑, 美里有點遲疑, 但懷春少女千夏住在家中, 共同一起生活, 無形種種誘惑, 丈夫是否會做錯事呢? 沒人能知道......
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身体集合.zip
金玟锡,金彩恩,权雅凛,姜俊圭,金亚炫,赵宇丽老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式，信徒們依序祈願並獻上祭品。接著終於輪到詩京了，這時她才驚覺祭品竟然是身體的一個部位，這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事，當集滿身體所有部位時，血淋淋的恐懼就會覺醒！
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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