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祝你好运2024
亚历山德拉·达达里奥,柯瑞·福格尔玛尼斯,迈尔斯·古铁雷斯-赖利,科尔·斯普罗斯,莉娜·邓纳姆,艾米·兰德克,莱克西·安德伍德,丽莎·山田,贾德森·米尔斯,布莱恩·迈克尔·史密斯一个明星的诞生1937
珍妮·盖诺,弗雷德里克·马奇,阿道夫·门吉欧,梅·罗布森,安迪·德怀恩,莱昂内尔·斯坦德,欧文·摩尔,佩吉·伍德,埃德加·肯尼迪,J·C·纽金特,吉恩·威廉姆斯,简·阿克,Eric Alden,欧文·培根,Jane Barnes,文斯·巴尼特,克拉拉·布兰迪克,韦德·博特勒,西德尼·布雷西,Harry C. Bradley,Lynton Brent,海伦·查德维克,乔治·钱德勒,Virginia Dabney,Billy Dooley,赫伯特·埃文斯,雷克斯·埃文斯,帕特·弗莱厄蒂,弗朗西斯·福特,Tri奇迹梦之队
凯莱布·麦克劳克林,加布里埃尔·尤尼恩,斯蒂芬·库里,妮可拉·考夫兰,尼克·克罗尔,大卫·哈伯,詹妮弗·路易斯,帕顿·奥斯瓦尔特,Jelly Roll,亚伦·皮埃尔,鲍比·李,安德鲁·桑提诺,雪莉·可拉,爱德华多·弗兰科,詹妮弗·哈德森,阿伊莎·库里蓝调之歌
休·杰克曼,凯特·哈德森,迈克尔·因佩里奥利,费舍·史蒂芬斯,詹姆斯·贝鲁什,艾拉·安德森,金·普安公主,穆斯塔法·沙基尔,Bob Roseman,杰森·华纳·史密斯,罗伯特·约翰·加拉格尔,Eva Kaminsky,Beth Malone,马特·戈尔斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鲍里斯·伦敦,Johnny Olmez,Faye Tamasa汪星人训练营
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山姆·尼尔,劳拉·邓恩,杰夫·高布伦,理查德·阿滕伯勒,鲍勃·佩克,马丁·费雷罗,约瑟夫·梅泽罗,阿丽亚娜·理查兹,塞缪尔·杰克逊,黄荣亮,韦恩·奈特,杰拉尔德·R·莫伦,米盖尔·桑多瓦尔红杉林杀人魔
马可·伍德,Lisa Cameron,Lisa Livingstone抖擞
马克·沃尔伯格,保罗·沃尔特·豪泽,萨莎·拜伦·科恩,本杰明·布拉特,卢西亚诺·萨法尔,艾娃·德·多米尼奇,丹妮拉·曼希沃,莫莉·香侬,切尔茜·克里斯普,埃里克·安德烈,杰克森·托泽尔,亨利埃塔·阿梅沃尔,阿贝·法雷利,瑞恩·谢尔顿,娜塔丽·奥利维拉,提亚戈·莫拉斯,斯隆·费希尔,詹尼·德古拉,朱丽安娜·卡斯特罗,伊恩·阿达姆森机动战士高达闪光的哈萨维
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保罗·穆尼,盖尔·桑德加德,约瑟夫·希尔德克劳特,格洛丽亚·霍顿,唐纳德·克里斯普差不多的朋友
弗莱迪·海默,奥德娅·拉什,克里斯托弗·米洛尼,海利·乔·奥斯蒙,杰克·阿贝尔,丽塔·沃尔克,玛格·海根柏格,泰勒·约翰·史密斯影视排行
我叫艾妮塔
埃娃·梅兰德,克拉斯·蒙松,杰里米·科维尔罗,Anne-Marie Ponsot,伯恩·谢尔曼,Richard Forsgren,阿兰·杜泰,Måns Molin,马克斯韦尔·坎宁安,Sarah Rothman,Filip Gisslén,Omid Khansari,Liam Nisseborn,Cécile Combredet,Alexandra Creutzer阿格内塔是个色彩鲜明且幽默的人,但表面上并不明显。她刚满49岁,孩子们已经离巢,交通办公室的工作停滞不前,阿格内塔感到自己像个透明人。而她的丈夫则通过泡冰水澡和穿着昂贵装备快速骑行找到了生活的意义。为了逃离日常生活的枯燥枷锁,阿格内塔离开了安全的瑞典生活,去法国为一位瑞典男孩做保姆。然而,当男孩艾纳尔其实是一位年迈古怪的疯狂绅士时,误会成了事实。这成为一段混乱而充满生命力的友谊的开始,彻底颠覆了阿格妮塔对生活和自我的认知。因为一个人到底怎么能活出自己宝贵的生命呢?
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
六度战栗
爱德华·福隆迈可透过一张光碟,参加了一场刺激的游戏,在月黑风高的晚上他发现自已稍稍走进一间屋子并从厨房拿刀子杀死一个沈睡著的男人当迈可醒来时他兴奋极了,这一生他从没有这么刺激和开心过,第二天当他看到新闻。天啊!那件谋杀案真的发生了吗?后来第二张CD又寄来了,他决定结束这场荒谬的游戏,但主谋者从迈可的电脑中走出来,他竟是一具有形象的"人",并且一再要胁迈可再玩下去,也挑唆他面对恐惧和幻象,迈可就像受催眠一般他无处可逃,主谋者已经完全控制了他使他分不清什么是真什么是假……
死因无可疑
黄秋生,林嘉欣,陈家乐,汤怡,廖启智,欧阳伟豪,欧锦棠,冯素波,邓建明,骏雄保险经纪人叶永信(陈家乐 饰)某天接到一通神秘来电,电话中的男子问自杀后多久可以拿到赔偿,随后他接到上司通知有客户指定他去跟进保单,叶上门拜访时亲眼目睹一个孩子吊死在屋中,他随即认定客户为诈取保险金而杀害儿子,决心暗中对朱重德(黄秋生 饰)和沈子玲(林嘉欣 饰)夫妇展开调查,恐吓随即接二连三发生在他及恋人文惠仪(汤怡 饰)身上,在又一起命案发生后,他愕然发觉事情和他的判断并不一样…