怎么连岳父都要爱上呢
玛雅得知公公在一起伤害案后出狱了，她建议丈夫搬去和公公一起住，因为他没有婆艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。丈夫虽然不情愿，但最终还是接受了玛雅的提议，搬到了她家。一天，她的丈夫出差了几天...
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勤杂工
大卫·斯佩德A couple of border town friends think waiting tables will fix everything, but they're mistaken.
草莓月亮
当真亚美,斋藤润,杉野遥亮,中条彩未,中山裕介,田中丽奈,池端杏慈,黑崎煌代,吉泽要人,伊藤健太郎,泉泽祐希,池津祥子,桥本润,黑岛结菜本片改编自同名小说。樱井萌（当真亚美 饰）从小体弱多病，无法上学，也没有朋友，每天独自度过时光。她一直有一个小小的梦想——在自己生日那天，与喜欢的人一起观赏据说能让恋人永远相守的六月满月“草莓月亮”。然而，15岁那年冬天，她被告知生命所剩无几。 从医院回家的路上，萌邂逅了命中注定的人，并下定决心进入高中就读。入学典礼当天，她在初次见面的情况下，向同班同学佐藤日向（斋藤润 饰）突然告白，人生第一次恋爱就此开始。终于到了共赏草莓月亮的那一天，但从那天起，萌突然从学校消失，日向再也无法联系上她。而萌离开的真相，以及13年后传来的秘密究竟是什么…
看不见的爱人2025
钟熙,侯伟杰,陈彦霓摄影师荣格偶遇前女友洛依，尾随她回家后便悄然居住在这个房间里，偷窥着洛依的一举一动。洛依时常会带不同的男人回家，但都被荣格悄无声息的黄了。随着时间的推移，荣格在房间里的状态愈加放松，马脚也渐渐露的多了，洛依越来越感觉到房间里有荣格的存在
麦卡托·骑士
水泽林太郎,须贺健太,恒松祐里,新木宏典,弓木奈於人气女作家（恒松祐里）向恶名昭彰的私家侦探麦卡托（水泽林太郎）提出调查委托，称“自己可能正遭人追杀”。每天送达的神秘扑克牌仿佛预示着“杀人倒计时”，这究竟意味着什么……？麦卡托与他的助手兼作家美袋三条（须贺健太）的推理锋芒毕露——。
鬼屋直播
莎拉·莫利斯基,妮佳·海特洛娃,茂·孙,Victor Soares一群直播团队挑战进入一座闹鬼的老宅，很快发现，眼前的恐怖竟比他们预料的还要真实可怕。随着一波又一波的惊悚事件，他们必须在恐惧中挣扎前行，力图在这座死亡之屋中活到天亮。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster