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剧情简介
取材于漫画，一个女孩为了生存在涩谷出卖她的身ddd。 在过去的两个星期后离家出走，在街上幸存下来由香已在涩谷靠卖她的身体。她认为所有的人都是白痴，从自己的经验和他们作为一个暴力的中年男子，和她工作的兼职强迫她与他发生关系，以换取租金的店铺经理等。她可以信任的唯一的人是她最好的朋友，左恭。有一天，她和另外一个女孩，Maika，被男人强奸。这是一个电影的一个真实的故事的女孩受欢迎的女演员所扮演的各种问题。其超现实主义的最后一个场景是一个必须看到！
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黑色钻石
因巴尔·拉维,杰克·麦克劳克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric Walworth地球浩劫
肖恩·康纳利,娜塔莉·伍德,卡尔·莫尔登深入阴宅
辛政顺,尹伊娜,申素媛家用摄像头
尹世雅,权赫,阮芳青薇弗兰茨
伊丹·魏斯,彼得·库尔特,耶诺夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亚伦·弗里斯,卡罗尔·舒勒,Gesa Shermuly,扬·布达尔,约瑟夫·特洛伊,卡雷尔·多布雷,Daniel Dongres,René Hofschneider,米哈尔·伊斯特尼克,弗拉迪米尔·雅沃尔斯基,Václav Jirácek,Michal Kern,Stepán Klán骗徒与致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃尔詹·杜马斯,米拉·帕尔泰克,伯恩哈德·舒茨,妮可尔博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,马格努斯·克雷佩人气佳作
人肉农场
诺拉·叶莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan Grindstaff恐龙·怪鸟的传说
渡瀬恒彦,林彰太郎,沢野火子,津島智子,牧冬吉日掛中天
辛芷蕾,张颂文,冯绍峰,薛媛媛,乔琳凯哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse导演精选
离奇剧院
少女艾诺拉·佩妮（Virginia Newcomb 饰）偶然在深夜进入一家破败的歌剧院，乖张吊诡的演员为她表演了六个异乎寻常的故事：《蟾蜍之母》一对美国夫妇来到法国某偏远山镇旅行，在这里结识了一个诡异的老婆婆；《我爱你》德国柏林，走到尽头的婚姻，歇斯底里的偏执男人让他的妻子再也无法忍受着无处不在的狂爱；《梦遗》饱受邪淫梦境困扰的男人，在梦与现实的夹缝中迷失；《事故》真实的死亡对于一个小女孩来说也许过于费解与残酷，然而这就是它真实的原因；《记忆收集》她杀了求死的女人们，她看见并拥有了她们的记忆；《甜食》一度沉浸在甜食和热恋中的情侣，不知不觉走到了情感尽头。
犯罪现场调查完结篇：不朽
CBS的秋季时间表透露了CSI的最终命运：将推出一个2小时的电视电影作为大结局，元老级角色将回归，包括“葛瑞森”威廉·彼德森、“凯瑟琳”玛格·海根柏格。大结局将于9月27日播出，然后《网络犯罪调查(CSI:Cyber)》第二季接档。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.