定理
一位访客（特伦斯·斯坦普TerenceStamp饰）的到来彻底改变了一个家庭的生活，虽然这个访客没有身份，没有历史，甚至连名字都没有，但家庭中的每一个人都被他诱惑为他癫eee。妻子（肖瓦娜·曼加诺SilvanaMangano饰），丈夫（马西莫·吉洛提MassimoGirotti饰），女儿（安妮·维亚泽姆斯基AnneWiazemsky饰），儿子（AndrésJoséCruzSoublette饰），女佣（劳拉·贝蒂LauraBetti饰），每一个人都臣服于访客所带来的灵魂与欲望的纠葛之中。 访客离开后，丈夫放弃了经营多年的工厂，妻子开始于工人们寻欢作乐，女儿陷入了内心的顽疾之中，儿子开始探索艺术带来的奇迹与喜悦，女仆的身上则显露了神迹。一切都陷入了混乱，可是依旧没有人知道，这位神秘的访客到底是何方神圣……
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杰瑞米·西斯托,杰西卡·贝尔金,格伦·古尔德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦尔斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen在父亲的小餐馆发生了可怕的案件后，Nancy决定独自值完当晚的最后一班来收拾残局。但她不知道，自己并非孤身一人，她必须在漫漫长夜中为自己的生命而战。
超级马力欧银河大电影
克里斯·帕拉特,安雅·泰勒-乔伊,查理·戴,杰克·布莱克,布丽·拉尔森,唐纳德·格洛弗,本·萨弗迪,科甘-迈克尔·凯,凯文·迈克尔·理查德森,路易斯·古兹曼,伊萨·雷,格伦·鲍威尔,萝珊娜·奥德嘉重返奇妙世界，探索浩瀚宇宙，罗莎塔公主、酷霸Jr.、耀西等更多惊喜角色登场，开拓更宏大酷炫的版图，呈现更精彩纷呈的冒险。
猩球崛起3：终极之战
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考诺娃,阿米尔·米勒,泰瑞·诺塔里,泰·奥尔森,迈克尔·亚当思韦特,托比·凯贝尔,加布里埃尔·查瓦里亚,朱迪·格雷尔,莎拉·坎宁,德文·达尔顿,阿莱克斯·潘诺维奇,亚历桑德罗·朱利安尼,马克斯·洛伊德-琼斯,蒂莫西·韦伯凯撒（安迪·瑟金斯 饰）领导的猿族将被迫与残暴的Colonel（伍迪·哈里森 饰）领导的人类军队上演一场生死大战。猿族在战斗中遭遇了前所未有的重创，由此激发了凯撒内心中黑暗的一面，心中燃起复仇的烈火。最终，凯撒与Colonel面对面进行了一场关乎猿族和人类命运的终极之战。
汽车旅馆人生
Emile Hirsch,达科塔·范宁时光网讯 据国外媒体报道，埃米尔·赫斯基将主演一部名为《The Motel Life》的新片，而他也被本片最早确定下来的主创人选。 影片改编自Willy Vlautin的同名处女作小说，讲述了一对内达华州的兄弟在经历了一场致命变故后踏上逃亡之路，虽然途中偶然会出现幸运和希望，但他们依旧渐渐被社会所遗弃。
亨利·休格的神奇故事
本尼迪克特·康伯巴奇,拉尔夫·费因斯,本·金斯利,戴夫·帕特尔,理查德·艾欧阿德本片改编自罗尔德·达尔深受喜爱的故事，讲述富翁亨利·休格（本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰）决心掌握非凡的赌博作弊技巧。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.