成年的妹妹
由于父亲再婚,“Yuichi”有一个继妹“Yuki”。两人同住一屋子,已经有半年了。与此同时,经常画插画的 Yuki 是一位有抱负的漫画家。有抱负的漫画家 Yuki 发现,在亲身体验之前,很难在脑海中构思出一幅漫画。因此,Yuki 请她的哥哥 Yuichi 帮助她以现实的方式重现漫画中的场景。一开始只是个小忙,但 Yuki 的要求逐渐变得更加明艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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剧情提要
由于父亲再婚,“Yuichi”有一个继妹“Yuki”。两人同住一屋子,已经有半年了。与此同时,经常画插画的 Yuki 是一位有抱负的漫画家。有抱负的漫画家 Yuki 发现,在亲身体验之前,很难在脑海中构思出一幅漫画。因此,Yuki 请她的哥哥 Yuichi 帮助她以现实的方式重现漫画中的场景。一开始只是个小忙,但 Yuki 的要求逐渐变得更加明艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
暗夜精选
母亲2009
金惠子,元斌,晋久,尹宰文,全美善,宋清晨,千玗嬉,郑煐禥,高圭弼,李美度,朴明申,李姃垠指控之后
普拉蒂巴·兰塔,康柯纳·森·沙尔玛不允许带狗
卡洛·克拉姆林,罗宾·桑德曼,卡塔琳娜·玛丽·舒伯特,斯蒂姆拜尔·蒙克,比内塔·汉森,肖恩·道格拉斯,萨米·施赖恩,维拉·菲,丽莎·里斯纳,奥勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉尔夫·霍尼克,弗兰茨·费迪南德·克劳斯,卡特娅·乌菲尔曼,芬雷·德亚文追恶
释小龙,王真儿,刘峰超,刘怡潼机械怪兽
乔治·纳德,Claudia Barrett假日旅馆
平·克劳斯贝,弗雷德·阿斯泰尔,玛乔丽·雷诺兹,弗吉尼亚·戴尔,沃尔特·艾贝尔,路易丝·比弗斯,欧文·培根遗忘尼克
英格丽德·波尔索·贝达尔,露西·波尔,哈鲁克·比尔根纳尔,卡蒂娅·里曼,科斯马·肖,罗伯特·西利格同系列推荐
寒战1994
吴彦祖,刘俊谦,吴慷仁,谢君豪,王丹妮,廖子妤,艾丹·吉伦,休·博纳维尔,周润发,郭富城,梁家辉,古天乐,元彪,叶童,陈以文,莫文蔚,周文健,陈家乐,白只,彭敬慈,朱鉴然,谭旻萱,何启华,杨乐文,邱士缙,魏浚笙,林嘉华,太保,杨天宇,高海宁,郑则仕,张可坚,麦沛东,陈湛文,陈伟雄,张达伦,栢天男,林家熙感恩节
帕特里克·德姆西,泰·奥尔森,吉娜·格申,加布里埃尔·达文波特,凯伦·克里奇,内尔·维拉克,里克·霍夫曼,德里克·麦克加特,凯瑟琳·特罗维尔,杰伦·托马斯·布鲁克斯,米卡·阿蒙森,阿曼达·巴克,沙琳·格里芬,提姆·狄龙,克里斯·桑迪福德,艾蒂森·蕾,托马索·萨内里,珍娜·沃伦,林恩·格里芬莫·吉里根:活在当下
莫·吉里根不实梦境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek ThompsonNO.1
崔宇植,张慧珍,孔升延婚前脱单快乐
Katlego Lebogang,Siya Sepotokele Raymond幕后花絮
震耳欲聋
灰度律师李淇(檀健次饰)因出身于聋人家庭,被卷入一场聋人反诈案中。当他利用案件名利双收之时,却未曾想诈骗案远比想象的复杂。这一次,在欲望和良知的抉择中,他会如何破局? 本片部分取材自CODA律师张琪真实从业经历。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.