団鬼六赌徒天使之绳地狱

⭐ 0.7 播放:87万 2026-05-27
主演: 小原宏裕/

三代続く任侠道の名门南原组の组长が死んだ。その通夜の日、部屋に戻った组长の娘秋子(谷ナオミ)のなまめかしい丧服姿を见て、かねてから秘かに思いを寄せていた组长の子饲いの五郎(藤健次)が欲望をむき出しにして袭いかかるものの未遂に终わる。秋子と结ばれた者が组の迹目を継ぐことができるのだ。それを知った秋子とは恋仲で流れ者だが组员からの人望の厚い才治は(井上博一)は怒りに狂い、指を诘めさせるがうまく切れずに闷絶する五郎の小指をピストルで撃ち飞ばす。この不祥事で南原组を追放された五郎は悪徳金融业者花村(高木均)と手を结び、南原组をめちゃめちゃにするため复讐を企てる。まず、五郎と花村は南原组の干部井沢(日野道夫)の後妻绢子(南寿美子)の小料理屋の借金に目をつけ、法外な利息を要求し、娘町子(青木奈美)を拉致して监禁紧缚する。町子は土蔵の中で立ちながら缚られ、尿意を我慢させられる。紧缚したまま何度も犯され、その淫らで卑猥な痴态写真を撮られる。その事件を耳にした秋子は才治が大阪へ出向いている留守の间に町子を救い出す为、无谋にも単身花村の事务所へ乗り込む。渡世者らしく博徒でカタをつけようとするものの、案の定いかさまで负けてしまい、逆に掴まってしまう。着物を剥がされ、青竹を使った开脚缚りにさせられる秋子。そして浴槽に浸けられると、その中におびただしい数の鲤が放たれる! 秘部を刺激されてもだえる秋子。そしてその後には浣肠が待っていた・・。

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剧情提要

三代続く任侠道の名门南原组の组长が死んだ。その通夜の日、部屋に戻った组长の娘秋子(谷ナオミ)のなまめかしい丧服姿を见て、かねてから秘かに思いを寄せていた组长の子饲いの五郎(藤健次)が欲望をむき出しにして袭いかかるものの未遂に终わる。秋子と结ばれた者が组の迹目を継ぐことができるのだ。それを知った秋子とは恋仲で流れ者だが组员からの人望の厚い才治は(井上博一)は怒りに狂い、指を诘めさせるがうまく切れずに闷絶する五郎の小指をピストルで撃ち飞ばす。この不祥事で南原组を追放された五郎は悪徳金融业者花村(高木均)と手を结び、南原组をめちゃめちゃにするため复讐を企てる。まず、五郎と花村は南原组の干部井沢(日野道夫)の後妻绢子(南寿美子)の小料理屋の借金に目をつけ、法外な利息を要求し、娘町子(青木奈美)を拉致して监禁紧缚する。町子は土蔵の中で立ちながら缚られ、尿意を我慢させられる。紧缚したまま何度も犯され、その淫らで卑猥な痴态写真を撮られる。その事件を耳にした秋子は才治が大阪へ出向いている留守の间に町子を救い出す为、无谋にも単身花村の事务所へ乗り込む。渡世者らしく博徒でカタをつけようとするものの、案の定いかさまで负けてしまい、逆に掴まってしまう。着物を剥がされ、青竹を使った开脚缚りにさせられる秋子。そして浴槽に浸けられると、その中におびただしい数の鲤が放たれる! 秘部を刺激されてもだえる秋子。そしてその後には浣肠が待っていた・・。

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

圣诞宝宝

  When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.