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围困2
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,Roman Gromadsky,Aleksei Presnetsov,米哈伊尔·乌里扬诺夫,丹尼尔·萨加尔,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛图欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir姐妹董事会
蕾切尔·蕾·库克,丹妮拉·莫奈,列奥尼达斯·古拉普蒂斯咒物寻凶
格威利姆·李,卡罗琳·布莱肯,塔格·墨菲,卡罗琳·门通,史蒂夫·沃尔,乔纳森·法兰西凶间疑影
Teerapong Liaorakwong,Sinjai Plengpanich,Pongpit Preechaborisutkhun,Kanya Rattapetch,Chatsoroth Thanuthipayakul古剑奇谭之焚寂天劫
白澍,梁婧娴,姜震昊,黄羿,王景灏奇迹男孩
雅各布·特伦布莱,朱莉娅·罗伯茨,伊扎贝拉·维多维奇,欧文·威尔逊,诺亚·尤佩,丹妮尔·罗丝·拉塞尔,纳吉·杰特,戴维德·迪格斯,曼迪·帕廷金,布莱斯·吉扎尔,艾尔·麦金农,泰·孔西利奥,詹姆斯·休斯,凯尔·布瑞特科夫,米莉·戴维斯,莉娅·朱厄特,凯琳·布瑞特科夫,利亚姆·迪金森,艾玛·特伦布莱,马克·多兹劳,鲁奇娅·伯纳德,J·道格拉斯·斯图瓦特,阿里·利伯特,埃丽卡·麦基特里克,本·伊曼纽尔,杰森·麦金农,索尼娅·布拉加,吉洁特人气佳作
如何大赚一笔
格伦·鲍威尔,玛格丽特·库里,杰西卡·亨维克,比尔·坎普,扎克·伍兹,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗兰切威勒,拉夫·洛,史蒂夫·马克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅伦·迈克尔,内尔·威廉姆斯,乔·瓦兹,马丁·门罗,比安卡·阿玛托,罗伯特·霍布斯,伊桑·桑德斯月球
山姆·洛克威尔,凯文·史派西,多米妮克·麦克艾丽戈特,卡雅·斯考达里奥,本尼迪克特·黄,马特·贝里,马尔科姆·斯图尔特,罗宾·查克把哥哥带走
柴崎幸,小田切让,满岛光,青山姫乃,味元耀大,齐藤阳一郎,岩濑亮,浦井のりひろ,足立智充,村川绘梨,不破万作,吹越满韩国制造的我
普里扬卡·阿鲁莫汉,朴惠珍导演精选
我们是伯利恒
2014年，阿根廷图库曼省；一名年轻女性因剧烈腹痛入院，当时她并不知道自己已有身孕。醒来时，她发现自己被手铐铐在轮床上，周围全是警察。她被指控自行堕胎，在拘留两年后，因加重杀人罪被判处八年监禁。 图库曼省的一位女律师将为她的自由而战，数千名女性与众多组织纷纷声援，她们团结起来，试图改变历史的走向。
金刚不坏2024
金刚回到了自己曾经生活的地方，然而一切早已物是人非。这时，一起拐卖儿童的事件意外发生，金刚以一个局外人的身份开始寻找被拐的女孩，在这个过程中他的过往也依旧在纠缠着他…… 金刚将不得不面对自己最不愿意正视的伤痛……
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster