燃骚女子的欲望
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全智贤,具教焕,池昌旭,申铉彬,金新绿,高洙影片讲述了因不明感染事件而被封锁的建筑内，孤立无援的幸存者们对抗以无法预测形态进化的感染者的故事。
步履不停
阿部宽,夏川结衣,江原由希子,高桥和也,田中祥平,野本萤,林凌雅,寺岛进,加藤治子,树木希林,原田芳雄“人生路上步履不停，为何总是慢一拍”。位于偏远小镇的横山一家，生活平静祥和。父亲恭平（原田芳雄 饰）是业已退休的医生，却时时牵挂小镇诊所内的事务。长子纯平继承了父亲的事业，却在15年前为救落水儿童而溺水身亡。次子良多（阿部宽 饰）与父亲意见相左，执意前往异地当起了绘画修复师。多年的打拼换来的却是失业，困顿的良多与带着孩子的由香里（夏川结衣 饰）结婚，相互扶持，继续生活。又逢纯平的忌日，良多和姐姐千奈美（YOU 饰）带着家人分别赶回家中。平静的横山家再次热闹起来……本片荣获2009年蓝丝带最佳导演奖和最佳女配角奖（树木希林）、2008年报知电影和2009年电影旬报最佳女配角（树木希林）、2009年每日电影奖最佳男主角（阿部宽）、2008年马塔布拉塔国际电影节评审团大奖和最佳影片。
NO.1
崔宇植,张慧珍,孔升延讲述了每次吃妈妈做的家常饭时都能看到倒计时数字的河玟的故事。
大明嫔妃之困斗
宋洋,何杜娟,朱一龙,陈一诺十年之后，新太子妃因病去逝，留下一子朱由校，太子消沉，王恭妃常年生病，三皇子回京被册封，姚芊芊被囚禁……郑贵妃誓要夺取太子之位。王恭妃心急如焚，情急之下，梅儿说出兰心并没有死，并回忆：原来兰心并没有疯，因为她无法面对太子，请求梅儿放她走，于是梅儿送走了兰心，并说出兰心一直住在莲花庵。王恭妃不顾病体，拼死恳求兰心归来，兰心最终答应了王恭妃。后王恭妃逝世。郑贵妃安排万历并不知情。兰心趁机偷偷面见，告知王恭妃的死讯，最终兰心去了吉壤，半夜三更，道士刺杀太子，梅儿追踪，结果摔下山，兰心赶到，救了太子，太子晕迷，并在山下发现了梅儿……太子醒后与兰心相认了，后来兰心无意中说漏嘴，无奈告诉了太子事实的真相，太子伤心欲绝。万历把郑贵妃叫到跟前，斥责对王恭妃的死讯隐瞒不报，并且万历知道郑贵妃派人行刺一事， 郑贵妃被禁足。最终按皇贵妃的礼制厚葬了王恭妃
勇者斗恶龙 你的故事
佐藤健,有村架纯,波瑠,坂口健太郎,山田孝之,小林剑道,安田显,古田新太,松尾铃木,山寺宏一,井浦新,贺来千香子,吉田钢太郎根据史克威尔的名作RPG《勇者斗恶龙》改编的CG动画电影《勇者斗恶龙：你的故事》
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.