Ymode DX vol.40 加藤圭
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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灵语
是元介,吴可熙,郑人硕,杨丞琳,禾浩辰,石知田,丁宁,李国超外星+人
柳俊烈,金宇彬,金泰梨,苏志燮,廉晶雅,赵祐镇,金义城,李荷妮,申正根,李时勋悬案密码3：信仰的阴谋
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕尔·斯维尔·哈根,雅各布·豪伯格·罗曼,阿曼达·科林,约翰·路易斯·施密特,雅各布·奥福特布罗,索伦·比尔马克,迈克尔·布罗斯楚普,莫滕·基尔斯果,洛特·安德森粽邪3：鬼门开
张庭瑚,李兴文,吴奕蓉,许安植,陈博正,刘国劭,李明仓,王彩桦,黄柔闽,陈为民,曾莞婷,邹承恩,陈雪甄,施冬麟,许莉廷,陈少卉,陈昭妃,姜仁,游否希尼诺
西奥多·佩尔兰,威廉·勒布吉欧,莎乐美·德瓦斯,让娜·巴利巴尔,卡米莉·拉瑟福德,埃斯特尔·梅耶尔,维克图瓦尔·杜布瓦,马修·阿马立克,Pascale Oudot,Maël Besnard,Elodie Roy,Amaury Arboun,利森·丹尼尔,Charlotte Lainé,Balthazar Billaud,艾尔莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis凶地
平采娜·乐维瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤纳提帕.平帕拉达布,Pharanyu Rojanawuthitham,巴东·颂桑,坦瓦林·苏卡皮西特,Chaiwat Thongsaeng,查理·瑞纳人气佳作
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苏菲·王尔德,阿里·麦卡锡,哈米什·菲利普斯,基特·埃尔哈特·布鲁斯,萨拉·布罗肯莎,杰登·戴维森,桑尼·约翰逊,马库斯·约翰逊,基达安·泽勒克,詹姆斯·奥利弗,乔·伯德,杰特·加兹利,亚历珊德拉·詹森,Dog,Helene Philippou,米兰达·奥图,佐伊·特雷克斯,克里斯·阿洛西奥,奥蒂斯·丹吉,利安娜·瓦尔斯曼,亚历珊卓娅·斯蒂芬森,亚采克·科曼乱马12：中国昆仑大决战！破坏计划之激斗篇！！
山口胜平,林原惠美,日高范子,盐泽兼人,玉川纱己子,大林隆介,绪方贤一,高山南,井上喜久子,铃置洋孝,井上和彦,鹤弘美,山田荣子,松井菜樱子,山寺宏一,佐久间玲,关俊彦,岛津冴子,吉村佣,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子惊天魔盗团3
杰西·艾森伯格,伍迪·哈里森,戴夫·弗兰科,艾拉·菲舍尔,贾斯蒂斯·史密斯,多米尼克·塞萨,阿丽亚娜·格林布拉特,裴淳华,摩根·弗里曼,马克·鲁法洛,丹尼尔·雷德克里夫,尼克·威特曼奇幻之家
赵文琪,李琦,斯琴高娃,颜勤,徐日东升,宋祉璇,来喜,天赐,张明明,孟繁淼,马国芯,吴一熳,徐日光耀,张韶洁,赵溦,宋牧晨,王庆峰,李时雨,孙悦导演精选
末日逃生2：迁移
由于宇宙中的两颗彗星正面撞击了地球，致使地表生态遭遇毁灭性打击，造成恶劣后果。全人类不得不躲藏在地堡中求得生存。身为科学家的加里蒂带着一家人劫后余生，幸存了下来。虽然他们躲过了第一波的冲击，但是他们所在的地堡中剩余的生活物资逐渐减少，其他幸存的人类也开始蠢蠢欲动。迫于压力这一家人必须离开格陵兰岛的安全掩体，开始踏上危险的旅程。在这一路上他们无奈的发现，整个欧洲已经被毁灭，变成了冰冻荒地。于是一家人只能再次被迫上路，最终，他们找到了新的栖身之所。
铁血战士：荒原
When an alien hunter arrives on post-apocalypse Earth, it takes down a gang of warlords and unexpectedly becomes a folk hero to the oppressed locals. Now with their support, the alien sets its sights on the warlords' ruthless leader.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.