当妈妈寂寞时
即將前往入伍服役超過兩年的允載，在入伍前夕拜託自己的好友賢宇照顧獨自生活的媽媽。兒子不在的日子，總是感到空虛寂寞的熙京，在自己生日當天，把賢宇找來家裡一起慶生，漸漸對他產生了依賴之情，明知不可以，最終還是越過了不能逾越的底線……
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巴勒斯坦36
杰瑞米·艾恩斯,罗伯特·阿拉马约,利亚姆·坎宁安,比利·豪尔,克里斯托弗·维利尔斯,西娅姆·阿巴斯,萨姆·霍尔,雅丝敏·艾玛斯利,尼古拉斯·莫斯,Mo'min Swaitat,萨莱·巴克里,尤娜·马尔万,达弗·阿比丁,索菲亚·达努,Aya Khalaf,Joanna Arida,乔治·斯梅尔,卡梅尔·埃尔·巴沙,亚当·劳伦斯,亚亚·马黑尼征服者2025
阿克夏耶·坎纳,马达范,兰维尔·辛格,桑杰·达特,阿俊·拉姆鲍,阿哈娜·卡姆拉,莎拉·阿尔琼,拉詹德拉纳斯·祖特施猿山异闻录
袁福福,王培祎,王青,王纯,邵峰,付宏声,卢勇,何承熹,宋建霖他们之后的孩子
保罗·基尔舍,安吉丽娜·沃雷斯,赛义德·艾尔·阿拉米,阿娜伊斯·德穆斯蒂埃,露易丝·莱赫里,吉尔·勒卢什,路易·梅米,露德温·塞尼耶,Denis Simonetta,Anouk Villemin看不见的女儿
阿登·杨,茱莉亚·莎拉·斯通,Camille SullivanA-1头条
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伉俪
塔提阿娜·玛斯拉尼,罗西弗·萨瑟兰,伯克特·图尔顿,艾琳·博伊斯,泰丝·登根斯坦,克莱尔·福莱森,克里斯汀·帕克,洛根·皮尔斯,艾拉·韦杰尔,格伦·戈登,伊芙琳·伯克,吉娜·武尔塔焦,艾琳·蒂普尔一对爱侣Liz和Malcolm去到一座偏僻的小屋度假，Malcolm却因意外先回城了，留下Liz独自一人，她很快发现这座小屋有着邪恶可怕的过去，如今缠上了自己。
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姐妹2026
郑知晓,李洙赫,车珠英改编自英国电影《爱丽丝的失踪》 为了给弟弟的手术费筹钱，海兰与身为高利贷主的泰秀联合策划了一起绑架案，目标就是海兰同父异母的姐姐素珍。素珍之前并不知道自己还有个妹妹，当身份关系揭晓，绑匪和人质之间变得微妙起来……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
爱尔兰式告别
米歇尔·费尔利,帕迪·詹金斯,James Martin,谢默斯·奥哈拉Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley).Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.