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　　江继威（吴奇隆饰）和洪欣欣（杨采妮饰）同在七夕节去月老庙求姻缘，江继威对外表清纯的张小盈（张庭饰）一见钟情，却因失神撞了想要偷拿红绳的欣欣，恼火的欣欣旋即对其展开“报复”行为，两人变成见面就吵的冤家。　　两星期后，欣欣在戏台上吊嗓时，却看见了江继威的鬼魂，原来江继威上了张小盈的当，被卷入抢劫案中继而被灭口。不甘心的江继威借助电线回到阳间，且歪打正着跑到欣欣所在的剧院。他希望欣欣可以帮他回到过去，挽回自己被杀的命运。欣欣最终经不住江继威的恳求，和他一起回到了两星期前。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

因丢失尸体和爱人，罗伯特（Daktari Lorenz 饰）在绝望中以极其惨烈的方式自杀身亡。然而他的尸体并未因此得到宁静，仿佛命中注定一般，才被葬入黄土不久的罗伯特又被妙龄女郎莫妮卡（Monika M. 饰）挖了出来。莫妮卡和罗伯特一样，对死尸有着深深的迷恋，她和死去的罗伯特仿佛爱人似的生活在一起。　　某晚，莫妮卡在电影院门口邂逅马克（Mark Reeder 饰），两人随即开始交往。看似浪漫的爱情虽然让莫妮卡一度想要改掉怪异的爱好，但她仍然无法接受爱情的索然无味。直到某天，马克发现了女友的秘密，他们的关系开始朝着不可预测的方向发展……

职业拳击手神山英次在菲律宾试图东山再起，却始终未能获得比赛机会，转眼已至不惑之年。就在此时，长期失联的女儿桃子突然造访，命运的齿轮由此转动。失去母亲后无处可去的桃子，漂洋过海来投奔父亲。 　　异国菲律宾的屋檐下，这对父女开始了生涩的同居生活。血缘的羁绊难以轻易填补十余年的空白，两人笨拙地摸索着亲子关系的形状。 　　女儿身上总带着“另一个自己”的影子，这段充满磕绊却暗藏温情的日常，让曾经视野狭隘的神山逐渐学会环视周遭——塬来注视着他的，不止是桃子，还有更多人的目光…… 　　当比赛机会奇迹般降临，英次为赢得属于他们的容身之处毅然踏上擂台。这部以拳击为背景的作品，最终讲述的是关于“父”与“子”共同成长的生命物语。