妈妈的闺蜜
男主是一个约19岁的男生，妈妈要出去然后让他寄住在朋友家里，那个女人身材好，男生意，后来偶然发现女人和其他男人，结果更加欲罢不能，一路跟着女人偷窥，发现女人还和一个男人在试衣间激战，上演剧情，后来，男人经不住诱惑和女艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。后来他发现女人任然在和其他人，两人就大吵了一架，分手了，男主喜欢上了别的女人。
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暗夜良人
何乙轩,李运佳,周舟,黄娟,杨坤锐,李延,王渊,王正佳,刘锦,李一明,张依珂,季李,田雨,周小鹏,许之糯,吕一丁,张京海,徐福来,常征,孔庆三,边防,杜伯,苏强,王俊潾,高果,孙博,刘建军,梅景洪,李少林,高玉林,张业福,苏佳男,杨瑞承,吴梓铭,田甲右,刘欣刚,岳阳棋盘上的向日葵电影版
坂口健太郎,渡边谦,佐佐木藏之介,土屋太凤,高杉真宙,音尾琢真,柄本明,渡边一计,尾上右近,木村多江,小日向文世怪形
库尔特·拉塞尔,威尔福德·布利姆雷,TK·卡特,大卫·科列侬,凯斯·大卫,理查德·戴萨特,查尔斯·哈拉汉,Peter Maloney,理查德·马苏尔,唐纳德·莫法特,乔尔·波利斯,托马斯沃特斯,诺伯特·魏塞尔,拉瑞·弗兰科,纳特·欧文,阿德里安娜·巴比欧,约翰·卡朋特,杰德雏菊1966
雅罗斯拉夫·库切拉,伊万娜·卡尔班诺娃,埃斯特尔·克伦巴赫乔娃,伊特卡·采尔霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková僧侣
文森特·卡塞尔,黛博拉·弗朗索瓦,约瑟芬·约比,塞尔希·洛佩斯,凯瑟琳·蒙切特,乔迪·道德尔,杰拉丁·卓别林,罗珊妮·杜兰,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞尔日·费拉德,恩斯特·吴默埃,Jean-Francois Vendroux,让-克洛德·杜芬肖菲勒
埃里卡·弗雷泽,埃里克·库比亚克,马蒂·麦克唐纳同类推荐
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
金发
岩田刚典,白鸟玉季,门胁麦,山田真步,田村健太郎,内田慈本作の主人公は、大人になりきれない30歳の公立中学校教師・市川。彼が担任を受け持つクラスの生徒数十人が校則への抗議として髪を金色に染めて登校し、学校中が大騒ぎになるさまが描かれる。
消失的人
郑恺,刘浩存,邱泽,李晨,姜妍,黄小蕾,李梦,张琪,毕雯珺,冯兵,滕哲,冯雪雅,汤心一一个寻常的清晨，唐宇（郑恺 饰）的儿子在楼梯间凭空消失；隔壁单元里，独居女孩林雨彤（刘浩存 饰）在熟睡中被人侵犯；赌鬼租客严午（邱泽 饰）满身血污，谎编踪迹藏匿尸体。这栋看似平静、不起眼的居民楼里，每个擦肩而过的“熟人”，都有可能是藏着獠牙的恶鬼。当人心比鬼更可怕时，你每天出入的家门，都可能是通往地狱的入口……本片改编自豆瓣阅读连载小说《海葵》，作者贝客邦。
暗杀国度
奥黛莎·杨,阿布拉,苏琪·沃特豪斯,哈莉·尼夫,科尔曼·多明戈,丹尼·拉米雷斯,乔尔·麦克哈尔,茉德·阿帕图,科迪·克里斯蒂安,比尔·斯卡斯加德,库伦·莫斯,贝拉·索恩,小凯文·哈里森,阿尼卡·诺尼·罗斯,杰夫·波普,诺亚·盖尔文背景设定在马萨诸塞州塞勒姆镇，当一个破坏分子开始在网上发布小镇里每个人的私人生活细节，将小镇生活搅得天翻地覆后，一个精通社交媒体的高中学生和她的朋友们等待着观察最终结果。 浏览器历史记录、私信、非法下载、秘密文本链甚至更加糟糕的因素，造成了数字时代能够发生的最糟糕的情况。
界障
艾伯特·伯尼,弗兰克·莫斯利,考莉·埃尔南德斯康纳·马什与他的狗桑迪过着隐居生活，直到有一天他开始玩一款新的、尖端的电脑游戏——OBEX。当桑迪失踪后，现实与游戏之间的界限开始模糊，康纳不得不踏入OBEX这个奇异的世界，去把她带回家。