唐朝禁宮秘史
太宗驾崩 晚年武媚入宫，很得太宗宠幸，武媚又与太子李治互生情愫，太宗目睹两人偷情、公元六四九年，太宗皇帝 武媚娘气愤而终。驾崩后，太子李治继位，是为高宗。李治与武媚早结私情，太宗死后，李治将武媚接回自己宫中，高宗性格懦弱，武媚则勤奋主动，高宗更乐于武媚代劳参政，为 铲除王后及异己，武媚亲手杀死女儿，嫁祸与之，因而实权落入武媚手中，终登上皇后宝座成为武则天。 及到高宗驾崩，太子哲即位中宗，中宗不甘当个傀儡皇帝，结果被轰下台。太子旦即位，在位数年，因懦弱而废、武则天索性破除传统，自己登基，终于在公元六九O年，自封为金轮圣神皇帝，改国号为「周」，成为中国史唯一的女皇帝。武则天闲来无事，常与俊男后宫淫靡作乐，并权倾一时。 公元七O五年，中宗还京复位，复位国号为「唐」，武则天在位共计十二年，驾崩时八十二岁。一生多彩多姿，有褒有贬，淫乐荒唐，传说纷纭........艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
剧情简介
太宗驾崩 晚年武媚入宫，很得太宗宠幸，武媚又与太子李治互生情愫，太宗目睹两人偷情、公元六四九年，太宗皇帝 武媚娘气愤而终。驾崩后，太子李治继位，是为高宗。李治与武媚早结私情，太宗死后，李治将武媚接回自己宫中，高宗性格懦弱，武媚则勤奋主动，高宗更乐于武媚代劳参政，为 铲除王后及异己，武媚亲手杀死女儿，嫁祸与之，因而实权落入武媚手中，终登上皇后宝座成为武则天。 及到高宗驾崩，太子哲即位中宗，中宗不甘当个傀儡皇帝，结果被轰下台。太子旦即位，在位数年，因懦弱而废、武则天索性破除传统，自己登基，终于在公元六九O年，自封为金轮圣神皇帝，改国号为「周」，成为中国史唯一的女皇帝。武则天闲来无事，常与俊男后宫淫靡作乐，并权倾一时。 公元七O五年，中宗还京复位，复位国号为「唐」，武则天在位共计十二年，驾崩时八十二岁。一生多彩多姿，有褒有贬，淫乐荒唐，传说纷纭........艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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卡卡琪,梅兰妮·斯科洛凡诺,凯丝琳·蒙露Sheila Hood is an ex-cop whose marriage is on the rocks. Rather than confronting her husband about an affair, she hides surveillance cameras in her home and watches his transgressions, becoming a voyeur of her own life. Her husband, Tom Kale, is an ornithologist who begins an affair with an ex-girlfriend, Merle James, whose beauty and fragility echoes that of the birds he studies. Ray Starling, the charismatic owner of a boutique hotel, is Merle’s lover, and has dealings with her father, Mr James, a powerful oil baron who operates in the shadows but whose influence touches the whole city. Merle’s younger sister, Hazel, is also drawn to Tom, but trapped in Starling’s web of power. Calvin is an cop whose loyalty to his ex partner, Hood, is tested when mounting evidence from her own surveillance tapes connects her and Tom to Starling’s murder, and perhaps even Merle’s mysterious death.
小前提
Sathya Sridharan,帕顿·阿什布洛克,达纳·艾希布鲁克Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
韩国制造的我
普里扬卡·阿鲁莫汉,朴惠珍一位来自泰米尔纳德邦小镇的女子移居梦寐以求的韩国，却难以在异国他乡站稳脚跟。
大怪兽加美拉
船越英二,北原义郎,浜村淳,大山健二,吉田义夫,左卜全,村田扶实子,大叶健二大映が初めて手掛けた、1965年制作の本格怪獣映画『ガメラ』シリーズ第1作。監督は、湯浅憲明。北極海上で原爆を積んだ国籍不明機が米軍機によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現した。自衛隊の作戦で仰向けにひっくり返されたガメラ。起き上がることの出来ないガメラに、人々は勝利を確信するが・・・。
凶兆前传
尼尔·泰格·弗莉,托菲克·巴霍姆,索尼娅·布拉加,拉尔夫·伊内森,比尔·奈伊,米娅·麦戈文·扎伊尼,安东·亚历山大,安德烈·阿坎杰利,玛丽亚·卡巴雷诺,阿莱西亚·博纳奇,伊什塔尔·柯里-威尔逊,彼得·阿佩塞拉,西尔维娅·帕纳乔内,马里奥·欧普特,阿德里亚诺·阿拉贡,多纳泰拉·巴托丽一名年轻美国女子被派往罗马、展开服侍教会的人生，却接触到了令她质疑信仰的黑暗力量，并揭露恶魔转世的可怕阴谋。
誓不遗忘
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