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故事讲述了经营一家皮肤管理中心32岁大龄剩女尤可一,受到感情创伤后,在妈妈的催促下频繁相亲且不断失败,导致其妈妈为此气病。不料公司又发生重大事故需要重金赔偿,为此尤可一经受着家庭,事业的双重考验。所幸女主凭着乐观,不认输的精神终得爱情、事业双丰收的结局。影片并以此呼吁社会给予剩女这个群体理解与尊重。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
赏金猎猪,一只被人类雇佣去抓捕那些逃亡动物的猪。在追捕一只从一个邪恶马戏团逃亡的大象过程中,但却陷入了一场两只动物的全球冒险之中,这也在慢慢改变他的一些观念。
当他们假装还爱着对方的时候,YouTube上的“丁”和“宝石”情侣?在正式分手前,这对夫妇为了最后一篇内容而放弃了钻石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教练,他利用孩子作为谋生手段,并打算从妻子那里获得监护权,他们三个别无选择,只能互相帮助来完成这次营救任务。当车开走的时候,突然,这个可怕的神秘人从黑暗中冒了出来,导致他的车出了事故,无法继续前进,他自告奋勇地把这三个人带到一个偏远的玉米地的废弃房子里过夜。面对“Mahathirachai”,一个邪恶的鬼魂,包括房子里的居民,他们既看不见,也看不见。起初,他们认为这所房子里的鬼故事都是由幻象引起的,但当他们发现每个人都和一个来自前国家的鬼魂有关时,他们花了几百年的时间想要从他们那里得到一些东西!