危险的激情
警方侦探被分配的情况下的音乐制作人，被发现死于自杀。所有的线索，在舞台上似乎证实自杀。然而，侦探怀疑犯规。随着他的怀疑，潜在嫌疑人数目也有所增加 死了制作人的老婆是女同性恋关系中与她的网球教练;一个怀恨在心的流行明星打了一架与生产商的他的死亡; 晚上运输司太似乎阴凉硬币经销商似乎地狱执意罕见的硬币，他认为是在死者身上的一样。将添加到侦探
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老兄救命
普拉迪普·兰加纳坦,Mamitha Baiju,R. Sarathkumar,罗希尼,赫里杜·哈龙,Dravid Selvam弗拉维亚
马丁·弗瑞曼,乔纳森·普雷斯,托比·琼斯,莫莉·贝尔·赖特,安妮特·白兰特,汉娜·纽,杰米·比米什,迈克尔·卡尔金,阿丽埃拉·格拉泽,卡兰·吉尔,Tallulah Conabeare,玛拉马·科利特,皮埃尔·伯格曼,Max Cortezi,Arthur Heath,劳伦斯·拉塞尔,Zach Colton,Davide Scalcon,Liam Carrington,Gus Hudgins雉岳山
尹均相,金叡园,延济旭,裴格林守骨异兽
约翰·瑞斯-戴维斯,萨拉·亚历山德拉·马克斯,Louis James,蒂芙妮·汉纳姆·丹尼尔斯,索菲亚·埃莱尼,Danny Rahim,泰勒·温奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·兰金怒袭
安志杰,伍允龙,洪浚嘉,克拉雅,张建声,何慈茵,王东,朱云儿,易宇航加州套房
简·方达,阿伦·阿尔达,玛吉·史密斯,迈克尔·凯恩,沃尔特·马修同类精选
疯狂舞蹈办公室
廉惠兰,崔成恩,崔乂园,朴浩山,白贤镇,安桐丘,尹善贤,申艺灿狂野时代
易烊千玺,舒淇,赵又廷,李庚希,黄觉,陈永忠,郭沐橙,张志坚,曾美慧孜,闫楠村“靓”了
陶慧敏,王毅凡,李艺,张明明,叶青青,朱嘉镇,陈镜宇,隋抒洋,张家骏德州棉花
乔治·哈迪,杰森·道格拉斯,蒂凡妮·谢皮斯,吉因·琼斯,卢·坦普尔,Torrence Davis,Terri Merritt Bennett,贾德·罗德曼,朱丽叶塔·丹妮埃拉最伟大的时光
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掏出你的手帕
热拉尔·德帕迪约,卡洛埃·劳拉,帕特里克·迪瓦尔,米歇尔·塞罗尔,埃莱奥诺雷·希尔特这是一位始终以两性关系、婚姻道德为主题的电影作者，这部获得奥斯卡最佳外语片的《掏出你的手帕》也不在例外。关于影片，布里耶是这样解释的：“表面上看这是一部怪诞的电影，但实际上这是一部彻底颠倒道德标准的片子，不过表现得比较委婉且具有魅力。如果仔细观察就可以看出，所有的道德价值都被颠倒了，所有的道德传统都被抛到了一边。人物的思想状态正处于一种极端混乱的时期，今天你也许还不会把妻子当作礼物送给别人，但也许将来你就可以做到了。”
基努猫
科甘-迈克尔·凯,乔丹·皮尔,基努·里维斯,马索·曼恩,威尔·福特,达里尔·布里特-吉布森,尼娅·朗,罗布·许贝尔,杰森·米切尔,路易斯·古兹曼,蒂凡尼·哈迪斯,麦迪逊·沃尔夫,山姆麦地那,斯塔莱特·米亚里奥尼故事讲述鲍伯刚和恋情长跑的女友分手，心碎不已时巧遇一只可爱到不行的流浪猫，而鲍伯好友克拉伦斯更被小猫萌翻，两人给小猫取名‘Keanu’，而‘百炼钢化为绕指柔’大男人从此化身猫奴，每天陪猫、爱猫，与猫为伍。某天鲍伯的家被流氓集团闯空门，更惨的是他们的爱猫‘Keanu’竟然被绑架！为了营救爱猫，两人决定混入贩卖毒品的圈子，为方便接近流氓集团......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最后一枪2025
Lham Somphol Rungphanit,萨里卡·塞思苏帕,帕塔纳·埃桑固Petch想摆脱杀手生涯，但逃离过去谈何容易？在爱情、忠诚与复仇之间挣扎，他被迫接下最后一单。每一枪响起，赌注都在升级。他的未来与自由，全系于最后一颗子弹。 “终极任务，致命一枪，无路可退。”