那年阳光灿烂
别名：Machuca 评点：小童星与大姐姐的故事.... 1973年，智利陆军司令奥古斯托皮诺切特在美国政府的暗中扶持下，带领海陆空三军及警察部队发动政变，合力推翻了阿连德总统领导下的社会主义政府。3000名左翼人士在政变中被杀，上百万阿连德支持者沦为政治犯或被迫流亡。阿连德总统也在战斗中牺牲，他的死标志着共产主义政权在智利的灭亡，并随后拉开了长达17年的军人独裁统治的黑暗序幕。 ;草莓脸儿冈萨罗（Mat iacute;as Quer 饰）生在一个中产阶级家庭，他就读于一所昂贵的私人学校，那里的孩子充满骄横之气，这让沉默羞涩的冈萨罗在里面显得格格不入。思想开放的神父兼校长大胆招收了几名来自贫穷棚户区的免费学生，在智利这个92%属于西班牙和印第安土著混血的国家，那些2%纯种的欧洲血统便形同贵族，所以这帮自觉高贵优渥的孩子自然看不起这几个外来户。平静的学校不再平静，有钱阶级与无钱阶级的矛盾逐渐升级。在不断的冲突中，穷人孩子马丘卡（Ariel Mateluna 饰）却与身处对立面的冈萨罗建立起了纯洁的友谊。 1973年9月11号政变爆发，共产主义在智利遭受极大挫败。贫困阶层首当其冲遭受冲击，平等人权和共产主义在这里成为一纸空文，独裁体制疯狂碾压每一个人的生活。冈萨罗与马丘卡脆弱的友情终于走到终点
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剧情赏析
编辑推荐
活着
葛优,巩俐,姜武,牛犇,郭涛,张璐,倪大红,肖聪,董飞,刘天池,董立范,黄宗洛,刘燕瑾,李连义,杨同顺根据余华同名小说改编。富少福贵（葛优）嗜赌成性，妻子家珍（巩俐）屡劝无果后带着女儿凤霞离开了他，当夜，福贵输光所有家产气死父亲，被迫靠变卖母亲首饰租间破屋过活。一年后，家珍手拉凤霞怀抱刚出世的儿子有庆回到家中，福贵痛改前非，开始靠演皮影戏过起安份守己的日子。但好景不常，内战时期，福贵被国民党抓去当劳工，一番辗转终回到家乡与一家人团圆后，凤霞因病变成哑巴，而在后来的大跃进运动和文化大革命中，他虽获某些小福，逆境却也一直与他如影相随。
地下角斗士
戴拉·绍,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
科洛弗悖论
古古·姆巴塔-劳,大卫·奥伊罗,丹尼尔·布鲁赫,约翰·奥提兹,克里斯·奥多德,阿卡塞尔·亨涅,章子怡,伊丽莎白·德比茨基,罗杰·戴维斯,唐纳尔·罗格,苏珊·克莱尔,肯·奥林,西蒙·佩吉,格雷戈·格伦伯格未来，人们对资源的需求越来越大，可是地球上的资源已经不能再满足人类。于是地球上爆发了资源危机，并险些引发战争。唯一能阻止战争的只有空间站上的粒子加速器，如果实验成功，粒子加速器成功运转，那么它就能让人们用上源源不断的资源。可是在一次粒子加速器意外事件后，地球整个消失了，空间站上的宇航员开始试图弄清楚在他们身上发生了什么。但随着事情的一点点深入，真相慢慢浮现，更奇怪的事情也随之出现。
兄妹
大泉洋,宫崎葵,泷本美织,仲野太贺,西原亚希,七五三掛龍也,一路真辉,夏洛特·凯特·福克斯,笹野高史,波乃久里子室生犀星名作
屈从
梅根·福克斯,米凯莱·莫罗尼,玛德琳·奇玛,玛蒂尔达·弗思,裘德·格林斯坦,安德鲁·惠普,阿塔纳斯·斯雷布雷夫,玛纳尔·埃尔-费图里,安东尼·达维多夫,J·R·埃斯波西托,罗纳克·帕塔尼,特雷弗·范乌登,凯特·尼科尔斯,王可欣,德雷克·莫斯,莱斯·韦尔登,马克斯·克劳斯,艾登·霍莱特,尤安·迈克纳顿,沃利扎·比尼夫一个手忙脚乱的父亲(莫罗尼 饰)购买了一个家政服务机器人(福克斯 饰)来帮忙打理家务、照顾家人，然而随着机器人的意识觉醒，一家人反而陷入了危机之中……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.