女儿的叛逆

★ 4.6 播放:86万 更新:2026-05-25
主演: 雅克·杜瓦隆/

昔时的黄毛丫头,今朝的雲鬓shu女,弃夫,从父 hellip; hellip;Jane Birkin 珍 middot;馬洛里 middot;柏金饰演畸恋亲父的成年女儿Anne 成家有年的安厌弃了婚姻,离开丈夫回到了娘艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。父母无恙。而在激情和嫉妒中,安深深地混进了父亲私人情感的浊流。 nbsp; nbsp; nbsp;一个陷入深度抑郁的年轻女子离开了丈夫,回到了父母身边。她发现她的父亲有外遇,她嫉妒父亲的情妇,试图用自己特殊的方式改变父亲 hellip; hellip;

在线播放

剧情简介

昔时的黄毛丫头,今朝的雲鬓shu女,弃夫,从父 hellip; hellip;Jane Birkin 珍 middot;馬洛里 middot;柏金饰演畸恋亲父的成年女儿Anne 成家有年的安厌弃了婚姻,离开丈夫回到了娘艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。父母无恙。而在激情和嫉妒中,安深深地混进了父亲私人情感的浊流。 nbsp; nbsp; nbsp;一个陷入深度抑郁的年轻女子离开了丈夫,回到了父母身边。她发现她的父亲有外遇,她嫉妒父亲的情妇,试图用自己特殊的方式改变父亲 hellip; hellip;

导演精选

东北奇妙故事之摇篮曲

殡葬民俗与悬疑探案交织,借一座老宅、一口古井,揭开三代人缠绕的执念与秘密。影片以阿尔茨海默病家庭为切口,用科学精神破除迷信迷障,在悬疑与反转中传递“生命落幕,爱意不散”的温暖主题。

家用摄像头

当兼顾工作和抚养孩子的单身母亲成熙(尹世雅饰)为她年幼的女儿在整个房子里安装家庭摄像头时,奇怪的事情开始了。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster