影片推荐
洛杉矶劫案
克里斯·海姆斯沃斯,马克·鲁法洛,巴里·基奥恩,哈莉·贝瑞,莫妮卡·巴巴罗,科里·霍金斯,尼克·诺特,詹妮弗·杰森·李,泰特·多诺万,保罗·安德斯坦,戴文·博斯蒂克,德鲁·鲍威尔,帕特里克·穆尔维,马修·德尔·内格罗,安德拉·内切塔,法希姆·法兹利,佩曼·莫阿迪,丹·佩罗,乔希·斯通,哈娜可·福特曼莫德罗监狱1977
米盖尔·赫尔南,哈维尔·古铁雷斯,赫苏斯·卡罗萨,Catalina Sopelana,费尔南多·特赫罗,哈维·萨兹,Víctor Castilla,Alfonso Lara,Iñigo de la Iglesia,伊尼戈·阿兰布鲁,Javier Lago,哈维尔·贝尔特兰,Aimar Vega,Julián Valcárcel,Nacho Marraco恶战2025
Alfredo Cleto Batista,Carl Bruchhäuser,Holger Ebert百烛游戏
Magui Bravi,Luz Champané,Amparo Espinola,克拉拉·科瓦西奇,Agustin Olcese,Amy Smart,James Wright老兄救命
普拉迪普·兰加纳坦,Mamitha Baiju,R. Sarathkumar,罗希尼,赫里杜·哈龙,Dravid Selvam旺姆的夏天
旺卓措,久巴,卓杰泽仁,泽王拉姆,落周求吉尼玛同类精选
罪恶新月城
亚历克·鲍德温,泰伦斯·霍华德,埃塞·莫拉雷斯,妮基·韦兰,迈克尔·希罗,温斯顿·凯奇,安居尔·尼加姆,Maria Camila Giraldo,瑞玛·桑帕特,Danielle Druz定时拍摄
丹妮尔·帕娜贝克,马特·欧莱瑞,阿明·约瑟夫,莎朗·摩翰,乔治·芬,杰森·斯皮萨克,David Figlioli,Judith Drake,Mark C. Hanson平场之月
堺雅人,井川遥,坂元爱登,一色香澄,中村友理,绪方义博,吉濑美智子,大森南朋,成田凌,仓悠贵蓝调天后
维奥拉·戴维斯,查德维克·博斯曼,科尔曼·多明戈,格林·特鲁曼,迈克尔·波茨,杰里米·萨默斯,约翰尼·科瓦内,泰勒·佩奇,杜山·布朗,约书亚·哈尔托,奎因·范安特卫普,克洛伊·戴维斯,梅特·纳塔利奥,约翰娜·埃尔米纳·莫伊兹,Onyxx Noel,詹姆斯·西耶斯基,威廉·卡尼亚新年伊始 不合适也要有个限度！～不能认真聊聊吗？～
阿部贞夫,仲里依纱,矶村勇斗,吉田羊,河合优实,锦户亮,江口德子,袴田吉彦,小野武彦,坂元爱登,三宅弘城,八岛智人,中岛步,山本耕史,古田新太寒·露
顾婷萱,李君峰,文雅懿,何旭健影视排行
宠它
俞逸夫,余逸蕾,王文,苏娜,耿岩淅,李先时,周浩东,吴春怡,王思懿,赵汉唐外卖员刘枫睿因撞车意外成为富家女梦琪的“宠物蛇管家”。在照顾宠物蛇“白娘子”的过程中，他不仅见证了梦琪男友的虚伪背叛，也陷入了自己女友的误解与抉择。最终，这条蛇成为了戳穿谎言的契机，两个身份悬殊的年轻人也在层层闹剧中觅得真爱。
断魂小丑
珍娜·凯内尔,萨曼莎·斯卡菲迪,戴维·霍华德·桑顿,凯瑟琳·科科兰,Pooya Mohseni,Matt McAllister,Michael Leavy,凯蒂·马奎尔,吉诺·卡法雷利,Cory DuVal,Erick Zamora,Clifton Dunn,Xiomi Frans-Cuber,Julie Asriyan,玛格丽特·里德,Kamal Ahmed故事发生在万圣节的当晚，塔拉（Jenna Kanell 饰）和道恩（Catherine Corcoran 饰）醉醺醺的从一个派对中离开，走在清冷的大街上，两人打算去一家披萨店弄点吃的，一个小丑打扮的男人尾随她们也进入了店里，虽然小丑的样貌十分可怖，但个 性似乎还挺可爱的，除了他把店里的厕所弄的一团糟，气炸了店主。 之后，塔拉和道恩离开了店里，塔拉进入了一间公寓上厕所，道恩在路边等她，小丑再度出现在了她的身后，这一次，小丑想做的便不仅仅是逗她笑这么简单了。小丑打晕了塔拉，当塔拉再度醒来时，映入眼帘的，是被倒挂的道恩和在一边手持电锯的小丑。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
昭和残侠传：血染的唐狮子
高倉健,藤純子,池部良,津川雅彦,曽根晴美,山城新伍,牧紀子,萩玲子昭和初期。浅草界隈の左官、大工をまとめ信望を一身に集める鳶政は、今は病身で、後取りの小頭の秀次郎が兵役から帰還してくるのを待っていた。そうした時、東京で博覧会が開かれることになり、会場が上野に決った。上野は鳶政の縄張りだったが、博徒阿久根一家が札束をつんで工事の利権を譲れと言ってきた。これを断った鳶政は阿久津の子分三日仏に殺された。阿久津はその上、市の土木局長高見沢と結託し、鳶政傘下の業者を買収してしまった。そんなやり方に、阿久津の代貸し重吉とその妹文代は心を痛めていた。重吉は秀次郎とは親友だった。やがて秀次郎が帰ってきた。そして入札は無事に鳶政一家に落ち、会場建設の大工事が始った。そんな時、音吉が芸者染次を身請けするため大切な纒を質屋の岩源に渡し、それが阿久津の手に渡るという事件が起った。音吉は責任を感じそれを取り返しに行って殺され、染次も阿久津に身を売る約束で纒を取返したが、音吉の後を追って死んだ。秀次郎たちは阿久津への激しい怒りに駆られたものの、今は工事の方が大切と会場建設に全力を注ぐのだった。しかし阿久津たちはそんな鳶政一家に次々と工事の妨害を仕かけてきた。それをじっと耐えていた秀次郎たちだったが、工事現場に放火された時は勘忍袋の緒を切らした。一方、度重なる阿久津の悪どいやり方に重吉は盃を叩き返し、秀次郎の許に駆けつけた。ちょうど秀次郎は、ひとりで殴り込もうとする鳶政のひとり息子明夫を制し、自分で行こうとしていた。かわりに秀次郎と重吉が阿久津一家に殴り込んだ。二人は思う存分暴れ回り、たちまち修羅場と化したが、その中で重吉が三日仏に殺された。しかし、唐獅子牡丹の刺青を背に暴れる秀次郎に、阿久津も三日仏も倒されていった。