美容院已婚妇女
Beauty Salon Married Women (Uncut艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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详细简介
热门影视 大家都在看
全面开战：兄弟会
纳鲁纳·科斯塔,Camilla Damião,大卫·桑托斯,艾尔兹奥·维埃拉,Enio Cavalcante,艾米拉·盖德斯,Lee Taylor,马西莉亚·卡尔塔舒,塞乌·乔奇,史蒂法尼·莫塔,Samurai Cria奸人本色
董骠,许冠英女人
宝拉雅娜·麦金托什,劳伦·阿什利·卡特,肖恩·布里吉格斯,安吉拉·贝蒂斯,卡尔利·贝克,马西娅·贝内特,乔安娜·哈灵顿,汤米·尼尔森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis无限密室
克里斯托弗·索伦·凯利,卡桑德拉·克拉克,卡贾尔多·林赛,杰西·D·阿罗恶梦侦相
Yalitza Aparicio忘我星途
Vino G. Bastian,迪娅·潘德拉,Agus Kuncoro同类推荐
社区战警
Poramat Paywongsa,Nattaporn Phetskaew,Kittisak Phrosekaew当社区的毒品问题开始影响居民并引发动乱时，人们将求助的目光投向了警方。然而，这些本应保护和服务民众的警官们，却对此问题视而不见。一群热心居民组成民防队，誓言将肃清不法扫荡三害！
要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍赏美津子,吉行和子,藤间爽子,丰岛花,富山绘里子,布施千贺子,高桥努,白本彩奈,宫泽美保本剧改编自自身也有护士经验的藤冈阳子所著同名小说。故事发生在1945年的菲律宾，穿越时空的主人公，在战争时期物资匮乏、与死亡相伴的残酷状况下，与同伴们一起不失去希望地生活着，通过每天的生活，逐渐找回生存的力量。
疯狂动物城2
金妮弗·古德温,杰森·贝特曼,关继威,福琼·费姆斯特,安迪·萨姆伯格,大卫·斯特雷泽恩,伊德瑞斯·艾尔巴,夏奇拉,帕特里克·沃伯顿,昆塔·布伦森,内特·托伦斯,邦妮·亨特,唐·雷克,麦考利·卡尔金,布兰达·宋,莫里斯·拉马奇,莉亚·莱瑟姆,雷蒙德·S·佩尔西,珍妮·斯蕾特,丹尼·特雷霍,马克·史密斯,汤米·利斯特,让·雷诺,塞西莉·斯特朗,朱恩·斯奎布,米歇尔·戈麦兹,戴维·法恩,约翰·雷吉扎莫,汤米·钟,艾伦·图代克,迈克尔·J·福克斯,乔希·达拉斯,彼得·曼斯布里奇,伊薇特·尼科尔·布朗,艾德·希兰,一个神秘爬行动物的到来，把温馨的动物城搅动得天翻地覆。面对全新的城市危机，警官兔朱迪（金妮弗·古德温 Ginnifer Goodwin 配音）与狐尼克（杰森·贝特曼 Jason Bateman 配音）将继续携手为保卫动物城而奔波。在追捕行动中，这对老搭档不仅要揭开新角色的神秘面纱，还要前往被迷雾笼罩的新领域，探索未知的地下黑市，一场疯狂动物城的全新冒险即将展开……
肤色
乔纳森·塔克,杰克逊·罗伯特·斯科特,丹妮尔·麦克唐纳,朗尼·查维斯,贾里德·戴,山姆·狄龙,迈克尔·维拉尔在美国小镇一家超市的付款通道中，一个黑人对一个10岁白人小孩（JacksonRobert Scott饰）微笑，不曾想，这个善意的举动受到误解，引发了帮派之间的对抗，并以惊人的结局收尾。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.