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迈克.梅尔斯,斯宾塞.布莱斯林南方时光
陈玄力,吴慷仁,孙淑媚,黄迪扬,谢以乐,苏韦华,黄工芸,朱俐安,郑有杰弗兰肯斯坦的新娘
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包宝宝
丹尼尔·凯林,辛迪·劳鬼三惊3
沃拉甘·罗娜瓦查拉,Akarin Akaranitimaytharatt,Passornkorn Chirativat,缇拉娜·友萨奴,Nutjaree Horvejkul,Numchok Thanatram,Natee Aekwijit,沪瓦隆·威伍飒,Sara Holher,Worachart Thumwijin无路之路
卡罗尔·科皮克,帕维尔·卡什科维亚克,莫妮卡·诺沃格罗兹卡西区故事
安塞尔·艾尔高特,瑞秋·齐格勒,阿丽亚娜·德博斯,大卫·阿尔瓦雷茨,迈克·费斯特,寇瑞·斯托尔,布莱恩·达西·詹姆斯,丽塔·莫雷诺,寇蒂斯·库克,凯文·科索拉克,麦迪·齐格勒,朱利叶斯·卢比奥,杰米·哈里斯,阿蒂夫·拉尼尔,何塞·拉蒙·罗萨里奥,克丽丝·怀特赫德,凯尔·艾伦,塔莉娅·莱德,贝尔·迈克尔斯 ,哈维·埃文斯,戴维·比恩,凯尔·休斯,基思·勒克里德·哈里斯影视排行
禁止进入
两个正在“成名路上”摸爬滚打的工薪阶层YouTuber,为了取回不小心丢进一座废弃豪宅的篮球,决定进入这个诡秘的地方。他们在屋里互相恶作剧,打闹嬉戏,还用手机记录下这次“短暂冒险”。为了吸引更多粉丝,他们在视频里特意添加了一个假鬼影效果。没想到,视频一经上传就迅速走红。 于是,他们发起一个大胆挑战:如果视频播放量达到预定目标,他们将会在深夜再次进入这栋老宅,这次毫无防护,完全“裸探”。随着粉丝们热烈响应,他们真的兑现了承诺。然而,这一次,他们不仅将揭开豪宅背后的秘密和那些神秘“住客”的真相,也逐渐意识到一个令人毛骨悚然的事实——或许他们自己已经不再属于这个世界了。 面对这一切,一个问题浮现:为了成名,你究竟愿意付出多大代价?
千万不要跟着我
Karla Coronado,扬克尔·史蒂文,Julia Maqueo卡拉梦为了成为知名的网红,决定在自己的公寓里伪造一场闹鬼事件。然而令她没想到是,她的行为意外招来了不怀好意的东西。
月球漫步2024
柳承穆,黄智雅,金敏京,宋东焕对于16岁的女孩Jung-hee来说,一年中最困难的一天是她祖母的阵亡将士纪念日。郑熙通常很难和酗酒的母亲相处,但在这一天,她大喊大叫的祖父的妹妹来了。她每年都会责骂正熙的母亲和叔叔,问她为什么为自杀的祖母做追悼会,而不考虑找到离家出走的祖父。自从他的祖父在正熙出生的那天失踪后,正熙不知怎么地觉得这是她的错。所以Jung-hee决定去冒险,在那里她可以解开所有的秘密,结束她母亲的青春期。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster