怀香少女

　　1941年，第二次世界大战如火如荼。英国伦敦遭到纳粹法西斯的毁灭性轰炸，成千上万的人流离失所，更有无数儿童沦为孤儿。为了躲避战火的蹂躏，陆军军官的妻子海伦·霍格女士（海伦·麦克洛瑞 Helen McCrory 饰）与伊芙·帕金斯（菲比·福克斯 Phoebe Fox 饰）带着孤儿们登上列车，辗转来到一处偏远所在避难。经过长途跋涉，她们抵达目的地并被安排在临时的占时军队医院落脚。只不过它的前身这里正是那个黑衣女人横行盘桓的Eel Marsh House。才脱狼穴，又入虎口，惊慌失措的女人和孩子们即将迎来比战争更为可怕的噩梦，恶灵的杀戮有序展开……　　本片根据英国小说家苏珊·希尔（Susan Hill）的畅销小说改编。

沙发帝国继承人Checco，过着奢华却空虚的生活。在50岁生日前夕，他发现叛逆的女儿Cristal失踪了，只留下一张指向圣地亚哥朝圣之路的纸条。为了找到女儿，Checco被迫放弃豪车豪宅，背上背包踏上艰苦的徒步之旅。在朝圣之路上，他脚起水泡、遭遇各种意外，遇到了形形色色的朝圣者，逐渐理解了女儿的想法，重新认识了亲情与人生。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 玛西，一位年轻女子，被一个面目狰狞的怪物掳走，这个怪物一心要把她当作自己的孩子抚养长大。