血唇

⭐ 3.4 播放:90万 2026-05-23

自从父亲死后,弗莱德雷克(Jean-Loup Philippe 饰)便失去了童年的记忆,但一张挂在墙上的风景画却打开了他记忆的大门。画上是一座建在海边的废弃城堡,弗莱德雷克对此感到似曾相识,他逐渐回忆起20年前发生的一件事,12岁的他邂逅了城堡内一个身穿白衣的女子(Annie Briand 饰),并与之度过了快乐的夜晚。 弗莱德雷克将这段记忆告诉母亲(Natalie Perrey 饰),却遭到母亲的否认。他仍不死心,辗转找到了这张照片的拍摄者。这期间他偶然邂逅了童年记忆中的女子,亦由此进入一个黑暗恐怖的吸血鬼世界p;   

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剧情提要

自从父亲死后,弗莱德雷克(Jean-Loup Philippe 饰)便失去了童年的记忆,但一张挂在墙上的风景画却打开了他记忆的大门。画上是一座建在海边的废弃城堡,弗莱德雷克对此感到似曾相识,他逐渐回忆起20年前发生的一件事,12岁的他邂逅了城堡内一个身穿白衣的女子(Annie Briand 饰),并与之度过了快乐的夜晚。 弗莱德雷克将这段记忆告诉母亲(Natalie Perrey 饰),却遭到母亲的否认。他仍不死心,辗转找到了这张照片的拍摄者。这期间他偶然邂逅了童年记忆中的女子,亦由此进入一个黑暗恐怖的吸血鬼世界p;   

幕后花絮

非传统浪漫关系

情感博主祝君好(朱颜曼滋 饰)与在民政局工作的龚玺(任彬 饰),两个本该最懂“爱”的人,却在520这天领了离婚证。面对毁不掉的婚纱照和分不清的牵绊,两人一拍即合,决定开启一段“非传统”的高效关系——互给对方介绍对象!然而相亲局逐渐失控,龚玺重逢了自己曾经的相亲对象纪小舒(赵小棠 饰),祝君好则遇上了前任向涵(王天放 饰),还有“八离世家”的霸总和“懂王”附体的弟弟。这对“离婚搭子”在互坑与互助之间,开始重新审视自己的亲密关系,也意外踏上了一段关于“爱”的二次探索。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster