性的历史
这从历史开眼界系列？讲述x愛不休引人入胜的故事，探讨的假设下，公约和禁忌，揭示了令人吃惊的多样性和永恒的人性我们的文明最引发争议的话题的。 套装包括： *古代文明 - 神话，仪式和性合并，以及诸神的崇拜发展道德准则。为什么美索不达米亚等同于通奸偷窃罪？在巴比伦卖y-认为是神圣的？并乱论在埃及鼓励？ *东方世界 - 以中国境内，日本，印度和阿拉伯世界的亲密一瞥 - 家闺房，嫔妃，神秘，探索和性别的宗教分类。 *中世纪 - 性的信仰和习俗的演变灵感来自于宗教。从罗马帝国的经过文艺复兴时期的秋天，欲望的掩护下前往，只出现与严格的规定和征收耻辱。 *从唐璜到维多利亚女王 - 压抑萌发新的神话，虽然安静的在外面，这一时期的内部节奏与可耻的乐趣，其中包括卖y-和妓院击败。这成为性特质的时候...
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皮埃尔·若利韦,让·布伊兹,让·雷诺此片是卢贝松再影坛还没没无闻时，凭著一腔热血，旺盛活力与爆发力， 突破一切传统，挣脱一切商业机制下的樊笼，冒著无色彩，无对话，无明星等大讳所完成的电影。当影片完成时，因宣传无门，于是卢贝松带著这部影片参加瑞士阿沃基影展，一举拿下评审特别大奖及影评人奖，因而打开他的国际知名度。解剖核子战后的文明废墟，因为无色彩，所以这是一部黑白色调的电影。
绝命幽灵船
杰森·缪斯,理查德·雷西尔,Luke Guldan,Tyler JohnsonA clan of watermen capture a crew of sport fishermen who must then fight for their lives.
谎言的岛屿
内瑞雅·巴德洛斯,达里奥·格兰迪内蒂,埃托尔·卢纳,Victoria Teijeiro,Ana Oca,米洛·塔波阿达,Leire Berrocal,Miguel Borines,赛尔索·布加诺,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos故事发生在1921年的西班牙，一艘蒸汽船载着260名西班牙移民驶往美国，他们满心期待在那里能够开始他们崭新的人生。不幸的人，一场船难袭击了这群追梦者，他们所乘坐的蒸汽船载西班牙加利西亚海岸附近的一座小岛旁沉没了。幸运的是，岛上生活的三个女人发现了这批遇难者，她们热情的给予了帮助，最终，50名乘客得到了救助，保住了性命，这三个女人也因此名声远扬，被视为英雄。 一名阿根廷记者闻讯来到了这座小岛，想要将这件事情写成报道，可是，随着他调查的深入，记者发现很多事情都和他所听说的不符，不仅如此，他还开始怀疑，或许蒸汽船的沉没从一开始就不是一场意外。
我的老婆是女优
Artur Ignatenko,莉莉娅·茨维利科娃,亚历山大·梅尔尼克马丁是一名成人电影行业的经纪人，在一家夜总会侦察时，他遇到了达莎。她在洗手间里给他看了一些非常有才华的东西，他开始考虑让她在一部成人电影中扮演一个角色。这个行业最近变得非常时髦，他向她承诺，她将成为超级明星，她的电影将炸毁网络。然而，。..
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
纳粹僵尸
Matthew Baunsgard,达米安·罗扎内克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.