公共女人
一位缺乏经验的女演员受到邀请，在一部改编自前苏联作家陀思妥耶夫斯基《着魔》的影片中出演角色。影片的导演是一个定居在巴黎的捷克移民，祂操纵了女演员的生活，很快，女演员无法分清表演和现实的界线。最终，她在现实中扮演了另一个捷克移民的死去的妻子，她因受到导演的操纵而卷入一桩政zhi刺杀阴谋。
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详细简介
热门影视 大家都在看
复仇新娘
凯蒂·勒克莱齐,杰夫·辛,汉娜·巴尔福特,本·加文,Kendra Carelli,尼克·巴拉德,Charles Christopher,Denny Dormody,肯特·法尔考,Heather Horton,Jana Lewis杀他的100种办法
遇见恶魔
塞缪尔·杰克逊,莱丝莉·比伯,卢克·威尔逊,佩顿·利斯特,翠茜·索姆斯,李·瑞恩爱尔兰式告别
米歇尔·费尔利,帕迪·詹金斯,James Martin,谢默斯·奥哈拉巴黎厨房
迪米特里·纳佐罗夫,叶莲娜·波德卡明斯卡娅,德米特里·纳吉耶夫,马克·博加泰尔夫,文森特·佩雷斯鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安贾尼,唐尼·阿兰西亚,安德里·马沙迪,Rangga Nattra,Nugie,鲁克曼·罗萨迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari同类推荐
死人开关
比尔·斯卡斯加德,戴克·蒙哥马利,阿尔·帕西诺,加利·艾尔维斯,科尔曼·多明戈,米哈拉·赫罗德,约翰·罗宾森,乔丹·克莱尔·罗宾斯,肖恩·麦克布莱德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale故事发生在1977年2月8日，围绕一名44岁的前房地产开发商Tony Kiritsis展开。他用枪劫持了贷款公司总裁Richard O. Hall，并在其身上绑了一个“死亡开关”，以此胁迫这位总裁在几近零度的天气里当着警察和记者的面穿过市中心的街道。
瓢虫少女特别篇：巴黎故事
他们来自一个一切都颠倒的平行宇宙：瓢虫和黑猫的拥有者，暗影瓢虫（ShadyBug）和黑爪（Claw Noir），是恶棍，而蝴蝶的拥有者，赫斯佩利亚（Hesperia），是一个超级英雄。瓢虫（Ladybug）和黑猫（Cat Noir）将不得不帮助赫斯佩利亚抵御他们邪恶的双胞胎的攻击，并阻止他们夺取蝴蝶奇迹（Butterfly Miraculous）。我们的英雄们能否也帮助赫斯佩利亚并让暗影瓢虫和黑爪成为更好的人呢？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大佛普拉斯
庄益增,陈竹升,戴立忍,张少怀,陈以文,纳豆,丁国琳,李永丰,朱约信,雷婕熙,林美秀,小亮哥,游安顺,梁赫群,脱线,郑宇彤,鲁文学菜埔（庄益增 饰）是一家雕塑厂的夜间保安，家中有一位重病的老母亲需要照顾。肚财（陈竹昇 饰）是菜埔唯一的朋友，菜埔经常在值夜班的时候把肚财叫过来和他作伴。一天，两人突发奇想决定看一看菜埔的老板黄启文（戴立忍 饰）的行车记录仪里记录了哪些影像，希望向来风流的老板能够贡献出一些精彩的片段以解两个独身男人内心里的寂寞之苦。行车记录仪所记录的影像果然没有让菜埔和肚财失望，但与此同时，两人也发现了黄启文的许多不可告人的秘密。实际上，菜埔和肚财的一举一动皆没有逃过黄启文的眼睛，为了保住自己的地位和名声，他决定采取一些必要的行动。
迟来的愤怒
安东尼奥·德·拉·托雷,路易斯·卡叶赫,露丝·迪亚斯,劳尔·希门尼斯,曼诺罗·索洛,冯特·加西亚,皮拉尔·戈麦斯,艾丽西娅·鲁维奥,盖兹卡·阿达纳斯,马丁·卢纳,查尼·马丁,恩里克·德拉托雷,茵玛·桑乔,帕科·本杰梅亚,贝尔塔·埃尔南德斯威尼斯的地平线单元中，出现了这样一部电影，不扯人性，“三观”却正到让人大呼过瘾，这就是讲述了一个干脆利落的复仇故事的西班牙电影《迟来的愤怒》。 影片讲述了一个男人为了替在抢劫案中惨死的女友和变成植物人的老爸报仇，潜伏八年，甚至睡了抢劫团伙司机的孩子他妈，只为等他出狱，威胁他，顺藤摸瓜找到躲藏起来的真凶们，一个一个复仇。