尸油 3D

评分:9.7 播放:14万 更新:2026-05-23

《Nam暂无内容Man暂无内容Prai》是一部由Wanida暂无内容Termthanaporn、Pramote暂无内容Thianchaikerdsilp和Kreangsak暂无内容Riantong主演的电影。一个年轻的女人(WanidaTermthanaporn),她被一个怀孕的女人的灵魂附身,而她的童年朋友Lek(Pramote暂无内容Tianchaikerdsilp)用燃烧死去的孕妇的下巴做了一种爱的药剂。

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琼·伊约拉,阿拉祖,尼古拉斯·萨尔蒙

在西班牙马略卡岛的一次旅行中,两位年轻女子(吉尔和薇薇安)在一家偏僻的酒吧里遇到了一群欧洲游客。她们一起游览了当地的徒步路线,却以薇薇安惨遭杀害而告终。友谊逐渐被猜忌和恐惧所取代,幸存者们开始努力找出潜伏在她们中间的凶手。——布鲁克法官

毛骨悚然撞鬼经 2025夏季特别篇

小栗旬,上野树里,冈田将生,佐藤健,绫濑遥,石原里美,出口夏希

  放送作品  黄泉の森(2004年)  行きずりの紊乱者(2004年)  右肩の女(2012年)  顔の道」2009年)  怨みの代償(2009年)  S銅山の女(2014年)  或る訳ありの部屋(2025年)

哪吒闹海

梁正晖,邱岳峰,毕克,富润生,尚华,于鼎

 商末时期,陈塘关总兵李靖的夫人怀胎3年6个月,最终生下一个肉球,肉球中跳出一个伶俐可爱的男孩。李靖原当他是妖孽欲杀之而后快,幸太乙真人前来收之为徒,赐名哪吒,并赐以乾坤圈和混天绫两件宝贝。某年,天下大旱,甘露未降。哪吒和家将到东海洗澡玩耍。他用混天绫搅动海水,撼动龙宫,惹出巡海夜叉李艮和龙王三太子敖丙。几番言语不和,哪吒杀此二人,由此闯下通天大祸。四海龙王齐聚陈塘关索命,为救一方百姓,哪吒决定交出生命……本片根据《封神演义》故事改编,并荣获1980年电影百花奖最佳美术片奖;文化部1979年优秀影片奖、青年优秀创作奖;1983年菲律宾马尼拉国际电影节特别奖;1988年法国布尔波拉斯文化俱乐部青年国际动画电影节评委奖和宽银幕长动画片奖。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster