巨乳女友的风俗生活内幕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

在9月29日结束为期八周的有限活动后，《香蕉骑行》据说向罗斯展示了不同的一面，这是一场结合了喜剧、自传体故事和音乐元素的更个人化、更发自内心的表演。这部剧是关于庆祝生活、纪念损失和为生活中的意外事件做好准备。

 一对年轻夫妇在高速公路目睹一宗惨烈车祸，离开事发现场后不久，他们开始发现自己被神秘“乘客”尾随！这个如恶魔般纠缠不休的跟踪者，不达目的誓不罢休，令他们的公路旅行变成了一场噩梦。

　　1）因和同学打赌赌输，朴贞元、云贞等三个女孩被迫潜入传说中闹鬼的废弃校舍内探险。她们战战兢兢、心慌意乱，闹出不少自己吓自己的笑话。然而，女孩们的吵闹惊动了此前曾死在这里的一个女孩的怨灵，她似乎有意将这三个冒失的闯入者留在这里。　　2）圆圆和齐齐是一对情同姐妹的好朋友，但是她们的友情正受到严峻的考验。她们同时喜欢上帅气的学生会主席，也因成绩优秀将共同角逐校长的推荐升学资格。一切朝着不可预测的方向发展。　　3）高中男孩具有敏感体质，他能看到周围的鬼魂。他在教室中被一个少女的鬼魂缠上，女孩死于非命，而杀害她的凶手的鬼魂不久也尾随前来……