女友的妈妈

备案单位爱奇艺影业(重庆)有限公司 　　梗概：龙口镇近来怪事不断，外乡人青云子和张不平游历至此，意外卷入神秘事件当中，他们最终揭开真相，守护了龙口镇的安宁。

本片改编自吉田为了采访3年，穿着歌舞伎的黑衣进入后台的经验而写出的长篇小说，出生于任侠一门、投身于歌舞伎世界、将青春献给演艺之路的喜久雄，赌上自己的生命去追求无尽的梦想的宏伟故事：舞台是从战后到高度经济成长期的日本。出生于任侠家族的喜久雄，遭遇了数奇的命运，被拽到歌舞伎演员的家中。不久后，在动荡的人生中，他作为歌舞伎演员的才能开花结果。

 本片改编自同名小说，讲述了主人公·梓失去了无可替代的挚友而止步不前，她不断给已故好友发送信息，由此开始，意想不到的邂逅接连发生，形成了一个巨大的圈子…

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster